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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" version="2.0"><channel><title>Click Track</title><link>http://www.washingtonpost.com?wprss=rss_linkset</link><description>David Malitz and Chris Richards riff on the world of popular (and unpopular) music.</description><language>en</language><copyright>Copyright 2012 Washington Post Company</copyright><pubDate>Fri, 09 Mar 2012 16:55:44 GMT</pubDate><lastBuildDate>Fri, 09 Mar 2012 16:55:44 GMT</lastBuildDate><ttl>5</ttl><image><title>Click Track</title><url>http://media3.washingtonpost.com/wp-srv/hp/image/wp_web.gif</url><link>http://www.washingtonpost.com?wprss=rss_linkset</link></image><item><title>Pop music coverage moves from Click Track to the Style blog</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/22282c20/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cpop0Emusic0Ecoverage0Emoves0Efrom0Eclick0Etrack0Eto0Ethe0Estyle0Eblog0C20A120C0A30C0A80C0A6e841860E69340E11e10Eacc60E32fefc7ccd670Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p/&gt; &lt;p&gt;Like the song says, it’s time to move. &lt;/p&gt; &lt;p&gt;After 27 months of non-stop pop music bloggery, we’re moving our music coverage from Click Track to &lt;a data-xslt="_http" href="http://www.washingtonpost.com/blogs/arts-post"&gt;The Style Blog&lt;/a&gt; where we’ll be talking about pop music alongside the keystrokes of other arts critics from the Washington Post Style section.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/pop-music-coverage-moves-from-click-track-to-the-style-blog/2012/03/08/gIQA5B3K1R_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/22282c20/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Pop+music+coverage+moves+from+Click+Track+to+the+Style+blog&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fpop-music-coverage-moves-from-click-track-to-the-style-blog%2F2012%2F03%2F08%2F06e84186-6934-11e1-acc6-32fefc7ccd67_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113387/u/0/f/635864/c/34656/s/22282c20/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113387/u/0/f/635864/c/34656/s/22282c20/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113387/u/0/f/635864/c/34656/s/22282c20/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Fri, 09 Mar 2012 16:16:32 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/pop-music-coverage-moves-from-click-track-to-the-style-blog/2012/03/08/06e84186-6934-11e1-acc6-32fefc7ccd67_blog.html?wprss=rss_click-track</guid><dc:creator>Click Track</dc:creator></item><item><title>Pop music coverage moves from Click Track to the Style blog</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/2200472f/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cpop0Emusic0Ecoverage0Emoves0Efrom0Eclick0Etrack0Eto0Ethe0Estyle0Eblog0C20A120C0A20C0A80CgIQA5B3K1R0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p/&gt; &lt;p&gt;Like the song says, it’s time to move. &lt;/p&gt; &lt;p&gt;After 27 months of non-stop pop music bloggery, we’re moving our music coverage from Click Track to &lt;a data-xslt="_http" href="http://www.washingtonpost.com/blogs/arts-post"&gt;The Style Blog&lt;/a&gt; where we’ll be talking about pop music alongside the keystrokes of other arts critics from the Washington Post Style section.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/pop-music-coverage-moves-from-click-track-to-the-style-blog/2012/03/08/gIQA5B3K1R_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/2200472f/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Pop+music+coverage+moves+from+Click+Track+to+the+Style+blog&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fpop-music-coverage-moves-from-click-track-to-the-style-blog%2F2012%2F02%2F08%2FgIQA5B3K1R_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113366/u/0/f/635864/c/34656/s/2200472f/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113366/u/0/f/635864/c/34656/s/2200472f/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113366/u/0/f/635864/c/34656/s/2200472f/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Fri, 09 Mar 2012 16:16:32 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/pop-music-coverage-moves-from-click-track-to-the-style-blog/2012/02/08/gIQA5B3K1R_blog.html?wprss=rss_click-track</guid><dc:creator>Click Track</dc:creator></item><item><title>Pop music coverage moves from Click Track to the Style blog</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/21fcb5c3/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cpop0Emusic0Ecoverage0Emoves0Efrom0Eclick0Etrack0Eto0Ethe0Estyle0Eblog0C20A120C0A30C0A20CgIQA5B3K1R0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p/&gt; &lt;p&gt;Like the song says, it’s time to move. &lt;/p&gt; &lt;p&gt;After 27 months of non-stop pop music bloggery, we’re moving our music coverage from Click Track to &lt;a data-xslt="_http" href="http://www.washingtonpost.com/blogs/arts-post"&gt;The Style Blog&lt;/a&gt; where we’ll be talking about pop music alongside the keystrokes of other arts critics from the Washington Post Style section.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/pop-music-coverage-moves-from-click-track-to-the-style-blog/2012/03/08/gIQA5B3K1R_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/21fcb5c3/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Pop+music+coverage+moves+from+Click+Track+to+the+Style+blog&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fpop-music-coverage-moves-from-click-track-to-the-style-blog%2F2012%2F03%2F02%2FgIQA5B3K1R_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113344/u/0/f/635864/c/34656/s/21fcb5c3/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113344/u/0/f/635864/c/34656/s/21fcb5c3/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113344/u/0/f/635864/c/34656/s/21fcb5c3/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Fri, 09 Mar 2012 16:16:32 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/pop-music-coverage-moves-from-click-track-to-the-style-blog/2012/03/02/gIQA5B3K1R_blog.html?wprss=rss_click-track</guid><dc:creator>Click Track</dc:creator></item><item><title>Pop music coverage moves from Click Track to the Style blog</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d27/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cpop0Emusic0Ecoverage0Emoves0Efrom0Eclick0Etrack0Eto0Ethe0Estyle0Eblog0C20A120C0A30C0A80CgIQA5B3K1R0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p/&gt; &lt;p&gt;Like the song says, it’s time to move. &lt;/p&gt; &lt;p&gt;After 27 months of non-stop pop music bloggery, we’re moving our music coverage from Click Track to &lt;a data-xslt="_http" href="http://www.washingtonpost.com/blogs/arts-post"&gt;The Style Blog&lt;/a&gt; where we’ll be talking about pop music alongside the keystrokes of other arts critics from the Washington Post Style section.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/pop-music-coverage-moves-from-click-track-to-the-style-blog/2012/03/08/gIQA5B3K1R_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d27/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Pop+music+coverage+moves+from+Click+Track+to+the+Style+blog&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fpop-music-coverage-moves-from-click-track-to-the-style-blog%2F2012%2F03%2F08%2FgIQA5B3K1R_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113322/u/0/f/635864/c/34656/s/1f965d27/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113322/u/0/f/635864/c/34656/s/1f965d27/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113322/u/0/f/635864/c/34656/s/1f965d27/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Fri, 09 Mar 2012 16:16:32 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/pop-music-coverage-moves-from-click-track-to-the-style-blog/2012/03/08/gIQA5B3K1R_blog.html?wprss=rss_click-track</guid><dc:creator>Click Track</dc:creator></item><item><title>Quick spins: Andrew Bird, Shooter Jennings, Zieti</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/2262a427/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cquick0Espins0Eandrew0Ebird0Eshooter0Ejennings0Ezieti0C20A120C0A30C0A90CgIQAhcL7uR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;In today’s Washington Post there are reviews of new albums by chamber-pop multi-instrumentalist &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/andrew-birds-break-it-yourself-adventurous-without-too-much-whistling/2012/03/02/gIQAWPwctR_story.html"&gt; &lt;strong&gt;Andrew Bird&lt;/strong&gt; &lt;/a&gt;, country bad boy &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/shooter-jenningss-family-man-a-little-bit-country-a-little-more-rock-and-roll/2012/03/02/gIQAKf3btR_story.html"&gt; &lt;strong&gt;Shooter Jennings&lt;/strong&gt; &lt;/a&gt; and the exciting international collaboration of &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/zietis-zemelewa-an-ageless-hybrid-with-no-stylistic-borders/2012/03/02/gIQACcbctR_story.html"&gt; &lt;strong&gt;Zieti&lt;/strong&gt; &lt;/a&gt;.&lt;/p&gt; &lt;p&gt;And in case you missed it in Sunday’s Washington Post Magazine, the cover story about the making of a documentary on legendary rock drummer &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/magazine/washington-native-jay-bulgers-first-documentary-film-about-drummer-ginger-baker-will-premiere-at-south-by-southwest-film-festival/2012/02/06/gIQAB7EgkR_story.html"&gt; &lt;strong&gt;Ginger Baker&lt;/strong&gt; &lt;/a&gt; is well worth your time.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/quick-spins-andrew-bird-shooter-jennings-zieti/2012/03/06/gIQAhcL7uR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/2262a427/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Quick+spins%3A+Andrew+Bird%2C+Shooter+Jennings%2C+Zieti&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fquick-spins-andrew-bird-shooter-jennings-zieti%2F2012%2F03%2F09%2FgIQAhcL7uR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113300/u/0/f/635864/c/34656/s/2262a427/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113300/u/0/f/635864/c/34656/s/2262a427/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113300/u/0/f/635864/c/34656/s/2262a427/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Tue, 06 Mar 2012 19:29:52 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/quick-spins-andrew-bird-shooter-jennings-zieti/2012/03/09/gIQAhcL7uR_blog.html?wprss=rss_click-track</guid><dc:creator>Click Track</dc:creator></item><item><title>Quick spins: Andrew Bird, Shooter Jennings, Zieti</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/224609f8/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cquick0Espins0Eandrew0Ebird0Eshooter0Ejennings0Ezieti0C20A120C0A10C0A60CgIQAhcL7uR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;In today’s Washington Post there are reviews of new albums by chamber-pop multi-instrumentalist &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/andrew-birds-break-it-yourself-adventurous-without-too-much-whistling/2012/03/02/gIQAWPwctR_story.html"&gt; &lt;strong&gt;Andrew Bird&lt;/strong&gt; &lt;/a&gt;, country bad boy &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/shooter-jenningss-family-man-a-little-bit-country-a-little-more-rock-and-roll/2012/03/02/gIQAKf3btR_story.html"&gt; &lt;strong&gt;Shooter Jennings&lt;/strong&gt; &lt;/a&gt; and the exciting international collaboration of &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/zietis-zemelewa-an-ageless-hybrid-with-no-stylistic-borders/2012/03/02/gIQACcbctR_story.html"&gt; &lt;strong&gt;Zieti&lt;/strong&gt; &lt;/a&gt;.&lt;/p&gt; &lt;p&gt;And in case you missed it in Sunday’s Washington Post Magazine, the cover story about the making of a documentary on legendary rock drummer &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/magazine/washington-native-jay-bulgers-first-documentary-film-about-drummer-ginger-baker-will-premiere-at-south-by-southwest-film-festival/2012/02/06/gIQAB7EgkR_story.html"&gt; &lt;strong&gt;Ginger Baker&lt;/strong&gt; &lt;/a&gt; is well worth your time.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/quick-spins-andrew-bird-shooter-jennings-zieti/2012/03/06/gIQAhcL7uR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/224609f8/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Quick+spins%3A+Andrew+Bird%2C+Shooter+Jennings%2C+Zieti&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fquick-spins-andrew-bird-shooter-jennings-zieti%2F2012%2F01%2F06%2FgIQAhcL7uR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113275/u/0/f/635864/c/34656/s/224609f8/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113275/u/0/f/635864/c/34656/s/224609f8/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113275/u/0/f/635864/c/34656/s/224609f8/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Tue, 06 Mar 2012 19:29:52 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/quick-spins-andrew-bird-shooter-jennings-zieti/2012/01/06/gIQAhcL7uR_blog.html?wprss=rss_click-track</guid><dc:creator>Click Track</dc:creator></item><item><title>Quick spins: Andrew Bird, Shooter Jennings, Zieti</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d28/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cquick0Espins0Eandrew0Ebird0Eshooter0Ejennings0Ezieti0C20A120C0A30C0A60CgIQAhcL7uR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;In today’s Washington Post there are reviews of new albums by chamber-pop multi-instrumentalist &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/andrew-birds-break-it-yourself-adventurous-without-too-much-whistling/2012/03/02/gIQAWPwctR_story.html"&gt; &lt;strong&gt;Andrew Bird&lt;/strong&gt; &lt;/a&gt;, country bad boy &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/shooter-jenningss-family-man-a-little-bit-country-a-little-more-rock-and-roll/2012/03/02/gIQAKf3btR_story.html"&gt; &lt;strong&gt;Shooter Jennings&lt;/strong&gt; &lt;/a&gt; and the exciting international collaboration of &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/zietis-zemelewa-an-ageless-hybrid-with-no-stylistic-borders/2012/03/02/gIQACcbctR_story.html"&gt; &lt;strong&gt;Zieti&lt;/strong&gt; &lt;/a&gt;.&lt;/p&gt; &lt;p&gt;And in case you missed it in Sunday’s Washington Post Magazine, the cover story about the making of a documentary on legendary rock drummer &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/magazine/washington-native-jay-bulgers-first-documentary-film-about-drummer-ginger-baker-will-premiere-at-south-by-southwest-film-festival/2012/02/06/gIQAB7EgkR_story.html"&gt; &lt;strong&gt;Ginger Baker&lt;/strong&gt; &lt;/a&gt; is well worth your time.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/quick-spins-andrew-bird-shooter-jennings-zieti/2012/03/06/gIQAhcL7uR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d28/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Quick+spins%3A+Andrew+Bird%2C+Shooter+Jennings%2C+Zieti&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fquick-spins-andrew-bird-shooter-jennings-zieti%2F2012%2F03%2F06%2FgIQAhcL7uR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113255/u/0/f/635864/c/34656/s/1f965d28/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113255/u/0/f/635864/c/34656/s/1f965d28/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113255/u/0/f/635864/c/34656/s/1f965d28/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Tue, 06 Mar 2012 19:29:52 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/quick-spins-andrew-bird-shooter-jennings-zieti/2012/03/06/gIQAhcL7uR_blog.html?wprss=rss_click-track</guid><dc:creator>Click Track</dc:creator></item><item><title>Singles file: Arcade Fire, Willis Earl Beal, Gunplay</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d2c/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Csingles0Efile0Earcade0Efire0Ewillis0Eearl0Ebeal0Egunplay0C20A120C0A30C0A60CgIQAZkXquR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt; &lt;em&gt;A weekly playlist for the listener with a one-track mind...&lt;/em&gt; &lt;/p&gt; &lt;p&gt; &lt;strong&gt;Arcade Fire: &lt;a data-xslt="_http" href="http://jimdoindierockmusic.tumblr.com/post/18625315632/arcade-fire-abrahams-daughter"&gt;“Abraham’s Daughter”&lt;/a&gt; &lt;/strong&gt; &lt;/p&gt; &lt;p&gt;On the leadoff song from “The Hunger Games” soundtrack, AF’s typically rococo indie rock is set to a spare, almost martial beat.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/singles-file-arcade-fire-willis-earl-beal-gunplay/2012/03/06/gIQAZkXquR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d2c/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Singles+file%3A+Arcade+Fire%2C+Willis+Earl+Beal%2C+Gunplay&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fsingles-file-arcade-fire-willis-earl-beal-gunplay%2F2012%2F03%2F06%2FgIQAZkXquR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113237/u/0/f/635864/c/34656/s/1f965d2c/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113237/u/0/f/635864/c/34656/s/1f965d2c/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113237/u/0/f/635864/c/34656/s/1f965d2c/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Tue, 06 Mar 2012 16:27:36 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/singles-file-arcade-fire-willis-earl-beal-gunplay/2012/03/06/gIQAZkXquR_blog.html?wprss=rss_click-track</guid><dc:creator>Allison Stewart</dc:creator></item><item><title>In today’s Post: New Springsteen album feels dutiful; Young Jeezy kicks off tour at Fillmore; Radiohead to headline Verizon Center</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d33/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cin0Etodays0Epost0Enew0Espringsteen0Ealbum0Efeels0Edutiful0Eyoung0Ejeezy0Ekicks0Eoff0Etour0Eat0Efillmore0Eradiohead0Eto0Eheadline0Everizon0Ecenter0C20A120C0A30C0A50CgIQAkePisR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt; In today’s Washington Post:&lt;/p&gt; &lt;p&gt;- &lt;strong&gt;Bruce Springsteen&lt;/strong&gt;’s new album “&lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/bruce-springsteens-wrecking-ball-doesnt-live-up-to-the-bosss-previous-music/2012/03/04/gIQA8VQqrR_story.html"&gt;Wrecking Ball&lt;/a&gt;” takes aim at the the “robber barons” of Wall Street, but feels dutiful, according to a review from Chris Richards: “Springsteen doesn’t sound angry. He sounds angry on our behalf.” &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/in-todays-post-new-springsteen-album-feels-dutiful-young-jeezy-kicks-off-tour-at-fillmore-radiohead-to-headline-verizon-center/2012/03/05/gIQAkePisR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d33/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=In+today%E2%80%99s+Post%3A+New+Springsteen+album+feels+dutiful%3B+Young+Jeezy+kicks+off+tour+at+Fillmore%3B+Radiohead+to+headline+Verizon+Center&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fin-todays-post-new-springsteen-album-feels-dutiful-young-jeezy-kicks-off-tour-at-fillmore-radiohead-to-headline-verizon-center%2F2012%2F03%2F05%2FgIQAkePisR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113214/u/0/f/635864/c/34656/s/1f965d33/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113214/u/0/f/635864/c/34656/s/1f965d33/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113214/u/0/f/635864/c/34656/s/1f965d33/a2t.img" border="0"/&gt;</description><pubDate>Mon, 05 Mar 2012 16:05:47 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/in-todays-post-new-springsteen-album-feels-dutiful-young-jeezy-kicks-off-tour-at-fillmore-radiohead-to-headline-verizon-center/2012/03/05/gIQAkePisR_blog.html?wprss=rss_click-track</guid><dc:creator>Click Track</dc:creator></item><item><title>So how was that Lauryn Hill show?</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d36/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cso0Ehow0Ewas0Ethat0Elauryn0Ehill0Eshow0C20A120C0A30C0A20CgIQAgsehmR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;Lauryn Hill has done plenty over the past decade to earn a reputation as a baffling and disappointing live performer. On Wednesday, though, she reminded people why she was once considered a leading musical visionary.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/so-how-was-that-lauryn-hill-show/2012/03/02/gIQAgsehmR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d36/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=So+how+was+that+Lauryn+Hill+show%3F&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fso-how-was-that-lauryn-hill-show%2F2012%2F03%2F02%2FgIQAgsehmR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113195/u/0/f/635864/c/34656/s/1f965d36/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113195/u/0/f/635864/c/34656/s/1f965d36/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113195/u/0/f/635864/c/34656/s/1f965d36/a2t.img" border="0"/&gt;</description><category domain="">Lauryn Hill</category><category domain="" /><pubDate>Fri, 02 Mar 2012 15:43:30 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/so-how-was-that-lauryn-hill-show/2012/03/02/gIQAgsehmR_blog.html?wprss=rss_click-track</guid><dc:creator>Click Track</dc:creator></item><item><title>Corrosion of Conformity’s Mike Dean talks about three decades of metal and getting back to basics</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/22896245/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Ccorrosion0Eof0Econformitys0Emike0Edean0Etalks0Eabout0Ethree0Edecades0Eof0Emetal0Eand0Egetting0Eback0Eto0Ebasics0C20A120C0A40C270CgIQAiFLXkR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;After losing their lead singer, the awesomely named Pepper Keenan, to the metal supergroup Down, North Carolina metal titans &lt;strong&gt;Corrosion of Conformity&lt;/strong&gt; decided to continue on as a trio. Bassist/singer Mike Dean, drummer Reed Mullin and guitarist Woody Weatherman had started out that way back in 1982; that was the lineup on their much-loved 1985 album "Animosity.” The way they look at it, their new disc, "Corrosion of Conformity," marks the rebirth of the new/old CoC.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/corrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics/2012/03/01/gIQAiFLXkR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/22896245/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Corrosion+of+Conformity%E2%80%99s+Mike+Dean+talks+about+three+decades+of+metal+and+getting+back+to+basics&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fcorrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics%2F2012%2F04%2F27%2FgIQAiFLXkR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113172/u/0/f/635864/c/34656/s/22896245/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113172/u/0/f/635864/c/34656/s/22896245/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113172/u/0/f/635864/c/34656/s/22896245/a2t.img" border="0"/&gt;</description><category domain="">Corrosion of Conformity</category><category domain="" /><pubDate>Thu, 01 Mar 2012 15:42:55 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/corrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics/2012/04/27/gIQAiFLXkR_blog.html?wprss=rss_click-track</guid><dc:creator>Allison Stewart</dc:creator></item><item><title>Corrosion of Conformity’s Mike Dean talks about three decades of metal and getting back to basics</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/2286dbbf/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Ccorrosion0Eof0Econformitys0Emike0Edean0Etalks0Eabout0Ethree0Edecades0Eof0Emetal0Eand0Egetting0Eback0Eto0Ebasics0C20A120C0A30C0A10Cbe8ffdb80E63af0E11e10E89410Edbe3cd6caa0A30Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;After losing their lead singer, the awesomely named Pepper Keenan, to the metal supergroup Down, North Carolina metal titans &lt;strong&gt;Corrosion of Conformity&lt;/strong&gt; decided to continue on as a trio. Bassist/singer Mike Dean, drummer Reed Mullin and guitarist Woody Weatherman had started out that way back in 1982; that was the lineup on their much-loved 1985 album "Animosity.” The way they look at it, their new disc, "Corrosion of Conformity," marks the rebirth of the new/old CoC.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/corrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics/2012/03/01/gIQAiFLXkR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/2286dbbf/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Corrosion+of+Conformity%E2%80%99s+Mike+Dean+talks+about+three+decades+of+metal+and+getting+back+to+basics&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fcorrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics%2F2012%2F03%2F01%2Fbe8ffdb8-63af-11e1-8941-dbe3cd6caa03_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113149/u/0/f/635864/c/34656/s/2286dbbf/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113149/u/0/f/635864/c/34656/s/2286dbbf/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113149/u/0/f/635864/c/34656/s/2286dbbf/a2t.img" border="0"/&gt;</description><category domain="">Corrosion of Conformity</category><category domain="" /><pubDate>Thu, 01 Mar 2012 15:42:55 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/corrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics/2012/03/01/be8ffdb8-63af-11e1-8941-dbe3cd6caa03_blog.html?wprss=rss_click-track</guid><dc:creator>Allison Stewart</dc:creator></item><item><title>Corrosion of Conformity’s Mike Dean talks about three decades of metal and getting back to basics</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/22760b24/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Ccorrosion0Eof0Econformitys0Emike0Edean0Etalks0Eabout0Ethree0Edecades0Eof0Emetal0Eand0Egetting0Eback0Eto0Ebasics0C20A120C0A80C160Cbe8ffdb80E63af0E11e10E89410Edbe3cd6caa0A30Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;After losing their lead singer, the awesomely named Pepper Keenan, to the metal supergroup Down, North Carolina metal titans &lt;strong&gt;Corrosion of Conformity&lt;/strong&gt; decided to continue on as a trio. Bassist/singer Mike Dean, drummer Reed Mullin and guitarist Woody Weatherman had started out that way back in 1982; that was the lineup on their much-loved 1985 album "Animosity.” The way they look at it, their new disc, "Corrosion of Conformity," marks the rebirth of the new/old CoC.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/corrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics/2012/03/01/gIQAiFLXkR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/22760b24/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Corrosion+of+Conformity%E2%80%99s+Mike+Dean+talks+about+three+decades+of+metal+and+getting+back+to+basics&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fcorrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics%2F2012%2F08%2F16%2Fbe8ffdb8-63af-11e1-8941-dbe3cd6caa03_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113127/u/0/f/635864/c/34656/s/22760b24/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113127/u/0/f/635864/c/34656/s/22760b24/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113127/u/0/f/635864/c/34656/s/22760b24/a2t.img" border="0"/&gt;</description><category domain="">Corrosion of Conformity</category><category domain="" /><pubDate>Thu, 01 Mar 2012 15:42:55 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/corrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics/2012/08/16/be8ffdb8-63af-11e1-8941-dbe3cd6caa03_blog.html?wprss=rss_click-track</guid><dc:creator>Allison Stewart</dc:creator></item><item><title>Corrosion of Conformity’s Mike Dean talks about three decades of metal and getting back to basics</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d39/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Ccorrosion0Eof0Econformitys0Emike0Edean0Etalks0Eabout0Ethree0Edecades0Eof0Emetal0Eand0Egetting0Eback0Eto0Ebasics0C20A120C0A30C0A10CgIQAiFLXkR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;After losing their lead singer, the awesomely named Pepper Keenan, to the metal supergroup Down, North Carolina metal titans &lt;strong&gt;Corrosion of Conformity&lt;/strong&gt; decided to continue on as a trio. Bassist/singer Mike Dean, drummer Reed Mullin and guitarist Woody Weatherman had started out that way back in 1982; that was the lineup on their much-loved 1985 album "Animosity.” The way they look at it, their new disc, "Corrosion of Conformity," marks the rebirth of the new/old CoC.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/corrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics/2012/03/01/gIQAiFLXkR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d39/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Corrosion+of+Conformity%E2%80%99s+Mike+Dean+talks+about+three+decades+of+metal+and+getting+back+to+basics&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fcorrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics%2F2012%2F03%2F01%2FgIQAiFLXkR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113104/u/0/f/635864/c/34656/s/1f965d39/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113104/u/0/f/635864/c/34656/s/1f965d39/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113104/u/0/f/635864/c/34656/s/1f965d39/a2t.img" border="0"/&gt;</description><category domain="">Corrosion of Conformity</category><category domain="" /><pubDate>Thu, 01 Mar 2012 15:42:55 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/corrosion-of-conformitys-mike-dean-talks-about-three-decades-of-metal-and-getting-back-to-basics/2012/03/01/gIQAiFLXkR_blog.html?wprss=rss_click-track</guid><dc:creator>Allison Stewart</dc:creator></item><item><title>In concert: Guns N’ Roses at Fillmore Silver Spring</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/224b584c/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cin0Econcert0Eguns0En0Eroses0Eat0Efillmore0Esilver0Espring0C1970A0C0A10C0A10CgIQA5CwRYR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p/&gt; &lt;p&gt;Guns N’ Roses stepped onto the &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/music-venues/fillmore-silver-spring,1211043.html"&gt;Fillmore Silver Spring&lt;/a&gt; stage a few ticks after midnight on Friday morning and didn’t pack it up until 3:04 a.m. &lt;/p&gt; &lt;p&gt;It wasn’t a rock concert. It was a hostage situation.&lt;/p&gt; &lt;p&gt;Where did these guys even find the gall to call themselves Guns N’ Roses? Led by the band’s only original member, frontman Axl Rose, this unfocused eight-man crew pranced and preened with the enthusiasm and talent of a tribute band. For three torturous hours, the guys sucked the life force from some of the most anthemic rock songs ever written — “&lt;a data-xslt="_http" href="http://www.amazon.com/gp/product/B000000OQF?ie=UTF8&amp;#38;tag=washpost-style-20&amp;#38;linkCode=xm2&amp;#38;camp=1789&amp;#38;creativeASIN=B000000OQF"&gt;Sweet Child O’ Mine&lt;/a&gt;,” “&lt;a data-xslt="_http" href="http://www.amazon.com/gp/product/B000000OQF?ie=UTF8&amp;#38;tag=washpost-style-20&amp;#38;linkCode=xm2&amp;#38;camp=1789&amp;#38;creativeASIN=B000000OQF"&gt;Paradise City&lt;/a&gt;” and “&lt;a data-xslt="_http" href="http://www.amazon.com/gp/product/B000000OSE?ie=UTF8&amp;#38;tag=washpost-style-20&amp;#38;linkCode=xm2&amp;#38;camp=1789&amp;#38;creativeASIN=B000000OSE"&gt;November Rain&lt;/a&gt;” among them.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/in-concert-guns-n-roses-at-fillmore-silver-spring/2012/02/24/gIQA5CwRYR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/224b584c/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=In+concert%3A+Guns+N%E2%80%99+Roses+at+Fillmore+Silver+Spring&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fin-concert-guns-n-roses-at-fillmore-silver-spring%2F1970%2F01%2F01%2FgIQA5CwRYR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113081/u/0/f/635864/c/34656/s/224b584c/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113081/u/0/f/635864/c/34656/s/224b584c/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113081/u/0/f/635864/c/34656/s/224b584c/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Fri, 24 Feb 2012 21:47:36 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/in-concert-guns-n-roses-at-fillmore-silver-spring/1970/01/01/gIQA5CwRYR_blog.html?wprss=rss_click-track</guid><dc:creator>Chris Richards</dc:creator></item><item><title>In concert: Guns N’ Roses at Fillmore Silver Spring</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/223b85d9/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cin0Econcert0Eguns0En0Eroses0Eat0Efillmore0Esilver0Espring0C20A120C0A20C20A0CgIQA5CwRYR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p/&gt; &lt;p&gt;Guns N’ Roses stepped onto the &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/music-venues/fillmore-silver-spring,1211043.html"&gt;Fillmore Silver Spring&lt;/a&gt; stage a few ticks after midnight on Friday morning and didn’t pack it up until 3:04 a.m. &lt;/p&gt; &lt;p&gt;It wasn’t a rock concert. It was a hostage situation.&lt;/p&gt; &lt;p&gt;Where did these guys even find the gall to call themselves Guns N’ Roses? Led by the band’s only original member, frontman Axl Rose, this unfocused eight-man crew pranced and preened with the enthusiasm and talent of a tribute band. For three torturous hours, the guys sucked the life force from some of the most anthemic rock songs ever written — “&lt;a data-xslt="_http" href="http://www.amazon.com/gp/product/B000000OQF?ie=UTF8&amp;#38;tag=washpost-style-20&amp;#38;linkCode=xm2&amp;#38;camp=1789&amp;#38;creativeASIN=B000000OQF"&gt;Sweet Child O’ Mine&lt;/a&gt;,” “&lt;a data-xslt="_http" href="http://www.amazon.com/gp/product/B000000OQF?ie=UTF8&amp;#38;tag=washpost-style-20&amp;#38;linkCode=xm2&amp;#38;camp=1789&amp;#38;creativeASIN=B000000OQF"&gt;Paradise City&lt;/a&gt;” and “&lt;a data-xslt="_http" href="http://www.amazon.com/gp/product/B000000OSE?ie=UTF8&amp;#38;tag=washpost-style-20&amp;#38;linkCode=xm2&amp;#38;camp=1789&amp;#38;creativeASIN=B000000OSE"&gt;November Rain&lt;/a&gt;” among them.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/in-concert-guns-n-roses-at-fillmore-silver-spring/2012/02/24/gIQA5CwRYR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/223b85d9/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=In+concert%3A+Guns+N%E2%80%99+Roses+at+Fillmore+Silver+Spring&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fin-concert-guns-n-roses-at-fillmore-silver-spring%2F2012%2F02%2F20%2FgIQA5CwRYR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113055/u/0/f/635864/c/34656/s/223b85d9/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113055/u/0/f/635864/c/34656/s/223b85d9/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113055/u/0/f/635864/c/34656/s/223b85d9/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Fri, 24 Feb 2012 21:47:36 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/in-concert-guns-n-roses-at-fillmore-silver-spring/2012/02/20/gIQA5CwRYR_blog.html?wprss=rss_click-track</guid><dc:creator>Chris Richards</dc:creator></item><item><title>In concert: Guns N’ Roses at Fillmore Silver Spring</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d3c/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cin0Econcert0Eguns0En0Eroses0Eat0Efillmore0Esilver0Espring0C20A120C0A20C240CgIQA5CwRYR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p/&gt; &lt;p&gt;Guns N’ Roses stepped onto the &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/music-venues/fillmore-silver-spring,1211043.html"&gt;Fillmore Silver Spring&lt;/a&gt; stage a few ticks after midnight on Friday morning and didn’t pack it up until 3:04 a.m. &lt;/p&gt; &lt;p&gt;It wasn’t a rock concert. It was a hostage situation.&lt;/p&gt; &lt;p&gt;Where did these guys even find the gall to call themselves Guns N’ Roses? Led by the band’s only original member, frontman Axl Rose, this unfocused eight-man crew pranced and preened with the enthusiasm and talent of a tribute band. For three torturous hours, the guys sucked the life force from some of the most anthemic rock songs ever written — “&lt;a data-xslt="_http" href="http://www.amazon.com/gp/product/B000000OQF?ie=UTF8&amp;#38;tag=washpost-style-20&amp;#38;linkCode=xm2&amp;#38;camp=1789&amp;#38;creativeASIN=B000000OQF"&gt;Sweet Child O’ Mine&lt;/a&gt;,” “&lt;a data-xslt="_http" href="http://www.amazon.com/gp/product/B000000OQF?ie=UTF8&amp;#38;tag=washpost-style-20&amp;#38;linkCode=xm2&amp;#38;camp=1789&amp;#38;creativeASIN=B000000OQF"&gt;Paradise City&lt;/a&gt;” and “&lt;a data-xslt="_http" href="http://www.amazon.com/gp/product/B000000OSE?ie=UTF8&amp;#38;tag=washpost-style-20&amp;#38;linkCode=xm2&amp;#38;camp=1789&amp;#38;creativeASIN=B000000OSE"&gt;November Rain&lt;/a&gt;” among them.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/in-concert-guns-n-roses-at-fillmore-silver-spring/2012/02/24/gIQA5CwRYR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d3c/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=In+concert%3A+Guns+N%E2%80%99+Roses+at+Fillmore+Silver+Spring&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fin-concert-guns-n-roses-at-fillmore-silver-spring%2F2012%2F02%2F24%2FgIQA5CwRYR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113033/u/0/f/635864/c/34656/s/1f965d3c/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113033/u/0/f/635864/c/34656/s/1f965d3c/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113033/u/0/f/635864/c/34656/s/1f965d3c/a2t.img" border="0"/&gt;</description><category domain="" /><pubDate>Fri, 24 Feb 2012 21:47:36 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/in-concert-guns-n-roses-at-fillmore-silver-spring/2012/02/24/gIQA5CwRYR_blog.html?wprss=rss_click-track</guid><dc:creator>Chris Richards</dc:creator></item><item><title>In concert: Rick Ross at DAR Constitution Hall</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d41/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cin0Econcert0Erick0Eross0Eat0Edar0Econstitution0Ehall0C20A120C0A20C240CgIQAWV5SYR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;Rick Ross has more or less willed himself to the top of the hip-hop heap. It’s not a genre lacking for performers who project themselves as the toughest, richest and most luxurious, and the 36-year-old MC has made such boasts his reality. He’s got a few tidy, self-given nicknames (Teflon Don, The Boss); lyrics almost exclusively focused on drug-dealing and outrageously expensive cars; bulletproof beats; an equally massive snarl; and a trademark grunt (“Ungh!”). In 2012, the rap game revolves around Rick Ross.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/in-concert-rick-ross-at-dar-constitution-hall/2012/02/24/gIQAWV5SYR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d41/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=In+concert%3A+Rick+Ross+at+DAR+Constitution+Hall&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fin-concert-rick-ross-at-dar-constitution-hall%2F2012%2F02%2F24%2FgIQAWV5SYR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544113008/u/0/f/635864/c/34656/s/1f965d41/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544113008/u/0/f/635864/c/34656/s/1f965d41/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544113008/u/0/f/635864/c/34656/s/1f965d41/a2t.img" border="0"/&gt;</description><category domain="">Rick Ross</category><category domain="" /><pubDate>Fri, 24 Feb 2012 21:44:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/in-concert-rick-ross-at-dar-constitution-hall/2012/02/24/gIQAWV5SYR_blog.html?wprss=rss_click-track</guid><dc:creator>David Malitz</dc:creator></item><item><title>Mick Jagger talks White House gig; John Peel collection goes digital; Limp Bizkit signs with Cash Money</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/220f3a45/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cmick0Ejagger0Etalks0Ewhite0Ehouse0Egig0Ejohn0Epeel0Ecollection0Egoes0Edigital0Elimp0Ebizkit0Esigns0Ewith0Ecash0Emoney0C20A120C0A20C240Cd380A8c540E5ef70E11e10E9b2f0E1579ccceec530Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;- Yesterday our own Chris Richards talked to &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/fresh-from-white-house-show-mick-jagger-says-every-gig-is-a-gig/2012/02/23/gIQAsxgSWR_story.html"&gt; &lt;strong&gt;Mick Jagger&lt;/strong&gt; &lt;/a&gt; about his Tuesday night performance &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/at-white-house-bb-king-and-mick-jagger-among-others-to-play-the-blues/2012/02/21/gIQAlyHyRR_story.html"&gt;at the White House&lt;/a&gt;. He said he wasn’t nervous at all — “...every gig is a gig, right?” When asked about what current music he’s enjoying, Jagger mentioned the Black Keys’ latest, “El Camino.” When asked if he heard the Stones’ legacy in today’s music he replied: “Yeah! I think there’s some of the Stones’ legacy in that album. Maybe that’s why I like it.” Classic. &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/fresh-from-white-house-show-mick-jagger-says-every-gig-is-a-gig/2012/02/23/gIQAsxgSWR_story_1.html"&gt;Read the entire interview&lt;/a&gt;. &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/mick-jagger-talks-white-house-gig-john-peel-collection-goes-digital-limp-bizkit-signs-with-cash-money/2012/02/24/gIQA9X6lXR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/220f3a45/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Mick+Jagger+talks+White+House+gig%3B+John+Peel+collection+goes+digital%3B+Limp+Bizkit+signs+with+Cash+Money&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fmick-jagger-talks-white-house-gig-john-peel-collection-goes-digital-limp-bizkit-signs-with-cash-money%2F2012%2F02%2F24%2Fd3808c54-5ef7-11e1-9b2f-1579ccceec53_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544112983/u/0/f/635864/c/34656/s/220f3a45/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544112983/u/0/f/635864/c/34656/s/220f3a45/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544112983/u/0/f/635864/c/34656/s/220f3a45/a2t.img" border="0"/&gt;</description><category domain="">Mick Jagger</category><category domain="" /><pubDate>Fri, 24 Feb 2012 15:14:09 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/mick-jagger-talks-white-house-gig-john-peel-collection-goes-digital-limp-bizkit-signs-with-cash-money/2012/02/24/d3808c54-5ef7-11e1-9b2f-1579ccceec53_blog.html?wprss=rss_click-track</guid><dc:creator>David Malitz</dc:creator></item><item><title>Mick Jagger talks White House gig; John Peel collection goes digital; Limp Bizkit signs with Cash Money</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d46/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cmick0Ejagger0Etalks0Ewhite0Ehouse0Egig0Ejohn0Epeel0Ecollection0Egoes0Edigital0Elimp0Ebizkit0Esigns0Ewith0Ecash0Emoney0C20A120C0A20C240CgIQA9X6lXR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;- Yesterday our own Chris Richards talked to &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/fresh-from-white-house-show-mick-jagger-says-every-gig-is-a-gig/2012/02/23/gIQAsxgSWR_story.html"&gt; &lt;strong&gt;Mick Jagger&lt;/strong&gt; &lt;/a&gt; about his Tuesday night performance &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/at-white-house-bb-king-and-mick-jagger-among-others-to-play-the-blues/2012/02/21/gIQAlyHyRR_story.html"&gt;at the White House&lt;/a&gt;. He said he wasn’t nervous at all — “...every gig is a gig, right?” When asked about what current music he’s enjoying, Jagger mentioned the Black Keys’ latest, “El Camino.” When asked if he heard the Stones’ legacy in today’s music he replied: “Yeah! I think there’s some of the Stones’ legacy in that album. Maybe that’s why I like it.” Classic. &lt;a data-xslt="_http" href="http://www.washingtonpost.com/lifestyle/style/fresh-from-white-house-show-mick-jagger-says-every-gig-is-a-gig/2012/02/23/gIQAsxgSWR_story_1.html"&gt;Read the entire interview&lt;/a&gt;. &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/mick-jagger-talks-white-house-gig-john-peel-collection-goes-digital-limp-bizkit-signs-with-cash-money/2012/02/24/gIQA9X6lXR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d46/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Mick+Jagger+talks+White+House+gig%3B+John+Peel+collection+goes+digital%3B+Limp+Bizkit+signs+with+Cash+Money&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fmick-jagger-talks-white-house-gig-john-peel-collection-goes-digital-limp-bizkit-signs-with-cash-money%2F2012%2F02%2F24%2FgIQA9X6lXR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544112963/u/0/f/635864/c/34656/s/1f965d46/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544112963/u/0/f/635864/c/34656/s/1f965d46/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544112963/u/0/f/635864/c/34656/s/1f965d46/a2t.img" border="0"/&gt;</description><category domain="">Mick Jagger</category><category domain="" /><pubDate>Fri, 24 Feb 2012 15:14:09 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/mick-jagger-talks-white-house-gig-john-peel-collection-goes-digital-limp-bizkit-signs-with-cash-money/2012/02/24/gIQA9X6lXR_blog.html?wprss=rss_click-track</guid><dc:creator>David Malitz</dc:creator></item><item><title>Guns ‘N Roses discography, reconsidered</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d4b/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cguns0En0Eroses0Ediscography0Ereconsidered0C20A120C0A20C220CgIQA2GafTR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt; &lt;strong&gt;Guns N' Roses&lt;/strong&gt; used to be the best hard rock band in the world, back in days before Slash left and Axl Rose set about singlehandedly destroying his band's legacy in ways too numerous to mention here. G’N'R's Legacy O' Crazy endures, and has in many ways eclipsed its body of work.  &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/guns-n-roses-discography-reconsidered/2012/02/22/gIQA2GafTR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d4b/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Guns+%E2%80%98N+Roses+discography%2C+reconsidered&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fguns-n-roses-discography-reconsidered%2F2012%2F02%2F22%2FgIQA2GafTR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544112947/u/0/f/635864/c/34656/s/1f965d4b/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544112947/u/0/f/635864/c/34656/s/1f965d4b/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544112947/u/0/f/635864/c/34656/s/1f965d4b/a2t.img" border="0"/&gt;</description><category domain="">Guns 'N Roses</category><category domain="" /><pubDate>Wed, 22 Feb 2012 19:23:44 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/guns-n-roses-discography-reconsidered/2012/02/22/gIQA2GafTR_blog.html?wprss=rss_click-track</guid><dc:creator>Allison Stewart</dc:creator></item><item><title>Adele breaks Billboard record, wins more awards; Howard Theater set to open in D.C.</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/22834910/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cadele0Ebreaks0Ebillboard0Erecord0Ewins0Emore0Eawards0Ehoward0Etheater0Eset0Eto0Eopen0Ein0Edc0C20A120C0A70C260CgIQAhurITR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;- Time for your weekly &lt;a data-xslt="_http" href="http://www.billboard.com/news/adele-s-21-hits-21st-week-at-no-1-sells-1006245952.story#/news/adele-s-21-hits-21st-week-at-no-1-sells-1006245952.story"&gt; &lt;strong&gt;Adele&lt;/strong&gt; &lt;/a&gt; update. “21” has now spent 21 weeks at the top of the Billboard charts, knocking off “The Bodyguard” soundtrack for most time spent at the top. The album moved another 730,000 copies last week, fueled by her big night at the Grammys. She had another big awards night on Tuesday, taking home the Brit award for album of the year. She also &lt;a data-xslt="_http" href="http://www.cbsnews.com/8301-31749_162-57382544-10391698/adele-flips-off-producers-at-brit-awards/"&gt;flipped off cameras&lt;/a&gt; after being interrupted during a speech.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/adele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc/2012/02/22/gIQAhurITR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/22834910/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Adele+breaks+Billboard+record%2C+wins+more+awards%3B+Howard+Theater+set+to+open+in+D.C.&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fadele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc%2F2012%2F07%2F26%2FgIQAhurITR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544112932/u/0/f/635864/c/34656/s/22834910/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544112932/u/0/f/635864/c/34656/s/22834910/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544112932/u/0/f/635864/c/34656/s/22834910/a2t.img" border="0"/&gt;</description><category domain="" /><category domain="">Adele</category><pubDate>Wed, 22 Feb 2012 15:34:54 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/adele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc/2012/07/26/gIQAhurITR_blog.html?wprss=rss_click-track</guid><dc:creator>David Malitz</dc:creator></item><item><title>Adele breaks Billboard record, wins more awards; Howard Theater set to open in D.C.</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/22282c21/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cadele0Ebreaks0Ebillboard0Erecord0Ewins0Emore0Eawards0Ehoward0Etheater0Eset0Eto0Eopen0Ein0Edc0C20A110C0A20C250CgIQAhurITR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;- Time for your weekly &lt;a data-xslt="_http" href="http://www.billboard.com/news/adele-s-21-hits-21st-week-at-no-1-sells-1006245952.story#/news/adele-s-21-hits-21st-week-at-no-1-sells-1006245952.story"&gt; &lt;strong&gt;Adele&lt;/strong&gt; &lt;/a&gt; update. “21” has now spent 21 weeks at the top of the Billboard charts, knocking off “The Bodyguard” soundtrack for most time spent at the top. The album moved another 730,000 copies last week, fueled by her big night at the Grammys. She had another big awards night on Tuesday, taking home the Brit award for album of the year. She also &lt;a data-xslt="_http" href="http://www.cbsnews.com/8301-31749_162-57382544-10391698/adele-flips-off-producers-at-brit-awards/"&gt;flipped off cameras&lt;/a&gt; after being interrupted during a speech.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/adele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc/2012/02/22/gIQAhurITR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/22282c21/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Adele+breaks+Billboard+record%2C+wins+more+awards%3B+Howard+Theater+set+to+open+in+D.C.&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fadele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc%2F2011%2F02%2F25%2FgIQAhurITR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544112917/u/0/f/635864/c/34656/s/22282c21/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544112917/u/0/f/635864/c/34656/s/22282c21/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544112917/u/0/f/635864/c/34656/s/22282c21/a2t.img" border="0"/&gt;</description><category domain="" /><category domain="">Adele</category><pubDate>Wed, 22 Feb 2012 15:34:54 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/adele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc/2011/02/25/gIQAhurITR_blog.html?wprss=rss_click-track</guid><dc:creator>David Malitz</dc:creator></item><item><title>Adele breaks Billboard record, wins more awards; Howard Theater set to open in D.C.</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/2210fdaf/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cadele0Ebreaks0Ebillboard0Erecord0Ewins0Emore0Eawards0Ehoward0Etheater0Eset0Eto0Eopen0Ein0Edc0C20A120C0A20C0A20CgIQAhurITR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;- Time for your weekly &lt;a data-xslt="_http" href="http://www.billboard.com/news/adele-s-21-hits-21st-week-at-no-1-sells-1006245952.story#/news/adele-s-21-hits-21st-week-at-no-1-sells-1006245952.story"&gt; &lt;strong&gt;Adele&lt;/strong&gt; &lt;/a&gt; update. “21” has now spent 21 weeks at the top of the Billboard charts, knocking off “The Bodyguard” soundtrack for most time spent at the top. The album moved another 730,000 copies last week, fueled by her big night at the Grammys. She had another big awards night on Tuesday, taking home the Brit award for album of the year. She also &lt;a data-xslt="_http" href="http://www.cbsnews.com/8301-31749_162-57382544-10391698/adele-flips-off-producers-at-brit-awards/"&gt;flipped off cameras&lt;/a&gt; after being interrupted during a speech.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/adele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc/2012/02/22/gIQAhurITR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/2210fdaf/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Adele+breaks+Billboard+record%2C+wins+more+awards%3B+Howard+Theater+set+to+open+in+D.C.&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fadele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc%2F2012%2F02%2F02%2FgIQAhurITR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/144544112901/u/0/f/635864/c/34656/s/2210fdaf/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/144544112901/u/0/f/635864/c/34656/s/2210fdaf/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/144544112901/u/0/f/635864/c/34656/s/2210fdaf/a2t.img" border="0"/&gt;</description><category domain="" /><category domain="">Adele</category><pubDate>Wed, 22 Feb 2012 15:34:54 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/adele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc/2012/02/02/gIQAhurITR_blog.html?wprss=rss_click-track</guid><dc:creator>David Malitz</dc:creator></item><item><title>Adele breaks Billboard record, wins more awards; Howard Theater set to open in D.C.</title><link>http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d50/l/0L0Swashingtonpost0N0Cblogs0Cclick0Etrack0Cpost0Cadele0Ebreaks0Ebillboard0Erecord0Ewins0Emore0Eawards0Ehoward0Etheater0Eset0Eto0Eopen0Ein0Edc0C20A120C0A20C220CgIQAhurITR0Iblog0Bhtml0Dwprss0Frss0Iclick0Etrack/story01.htm</link><description>&lt;p&gt;- Time for your weekly &lt;a data-xslt="_http" href="http://www.billboard.com/news/adele-s-21-hits-21st-week-at-no-1-sells-1006245952.story#/news/adele-s-21-hits-21st-week-at-no-1-sells-1006245952.story"&gt; &lt;strong&gt;Adele&lt;/strong&gt; &lt;/a&gt; update. “21” has now spent 21 weeks at the top of the Billboard charts, knocking off “The Bodyguard” soundtrack for most time spent at the top. The album moved another 730,000 copies last week, fueled by her big night at the Grammys. She had another big awards night on Tuesday, taking home the Brit award for album of the year. She also &lt;a data-xslt="_http" href="http://www.cbsnews.com/8301-31749_162-57382544-10391698/adele-flips-off-producers-at-brit-awards/"&gt;flipped off cameras&lt;/a&gt; after being interrupted during a speech.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/click-track/post/adele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc/2012/02/22/gIQAhurITR_blog.html?wprss=rss_click-track"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/635864/s/1f965d50/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Adele+breaks+Billboard+record%2C+wins+more+awards%3B+Howard+Theater+set+to+open+in+D.C.&amp;link=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fclick-track%2Fpost%2Fadele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc%2F2012%2F02%2F22%2FgIQAhurITR_blog.html%3Fwprss%3Drss_click-track" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="" /><category domain="">Adele</category><pubDate>Wed, 22 Feb 2012 15:34:54 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/click-track/post/adele-breaks-billboard-record-wins-more-awards-howard-theater-set-to-open-in-dc/2012/02/22/gIQAhurITR_blog.html?wprss=rss_click-track</guid><dc:creator>David Malitz</dc:creator></item></channel></rss>
