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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" version="2.0"><channel><title>Museums: Museum, Gallery &amp; Art News, Reviews, Events &amp; More - The Washington Post.com</title><link>http://www.washingtonpost.com/entertainment/museums?wprss=rss_museums</link><description>News and reviews for museums, galleries, studios and monuments. Search Washington, DC area museums and art exhibitions from the Washington Post.</description><language>en</language><copyright>Copyright 2012 Washington Post Company</copyright><pubDate>Tue, 21 May 2013 15:44:45 GMT</pubDate><lastBuildDate>Tue, 21 May 2013 15:44:45 GMT</lastBuildDate><ttl>5</ttl><image><title>Museums: Museum, Gallery &amp; Art News, Reviews, Events &amp; More - The Washington Post.com</title><url>http://media3.washingtonpost.com/wp-srv/hp/image/wp_web.gif</url><link>http://www.washingtonpost.com/entertainment/museums?wprss=rss_museums</link></image><item><title>2,000 museums nationwide to offer free admission to active duty military personnel</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2c2ebcb8/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0C20A0A0A0Emuseums0Enationwide0Eto0Eoffer0Efree0Eadmission0Eto0Eactive0Eduty0Emilitary0Epersonnel0C20A130C0A50C210Cce3c4f8a0Ec1980E11e20E8bd80E27880A30Ae6b440Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Two thousand museums across the country will offer free admission to the active duty military personnel and their families, the National Endowment for the Arts announced Tuesday. The NEA, in cooperation with the Department of Defense and Blue Star Families, a nonprofit for military families, is supporting the annual initiative, which provides free admission to participating museums from Memorial Day to Labor Day. The groups made the announcement in Washington on Tuesday at the Smithsonian American Art Museum.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/2000-museums-nationwide-to-offer-free-admission-to-active-duty-military-personnel/2013/05/21/ce3c4f8a-c198-11e2-8bd8-2788030e6b44_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2c2ebcb8/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2F2000-museums-nationwide-to-offer-free-admission-to-active-duty-military-personnel%2F2013%2F05%2F21%2Fce3c4f8a-c198-11e2-8bd8-2788030e6b44_story.html%3Fwprss%3Drss_museums&amp;t=2%2C000+museums+nationwide+to+offer+free+admission+to+active+duty+military+personnel" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2F2000-museums-nationwide-to-offer-free-admission-to-active-duty-military-personnel%2F2013%2F05%2F21%2Fce3c4f8a-c198-11e2-8bd8-2788030e6b44_story.html%3Fwprss%3Drss_museums&amp;t=2%2C000+museums+nationwide+to+offer+free+admission+to+active+duty+military+personnel" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2F2000-museums-nationwide-to-offer-free-admission-to-active-duty-military-personnel%2F2013%2F05%2F21%2Fce3c4f8a-c198-11e2-8bd8-2788030e6b44_story.html%3Fwprss%3Drss_museums&amp;t=2%2C000+museums+nationwide+to+offer+free+admission+to+active+duty+military+personnel" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2F2000-museums-nationwide-to-offer-free-admission-to-active-duty-military-personnel%2F2013%2F05%2F21%2Fce3c4f8a-c198-11e2-8bd8-2788030e6b44_story.html%3Fwprss%3Drss_museums&amp;t=2%2C000+museums+nationwide+to+offer+free+admission+to+active+duty+military+personnel" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2F2000-museums-nationwide-to-offer-free-admission-to-active-duty-military-personnel%2F2013%2F05%2F21%2Fce3c4f8a-c198-11e2-8bd8-2788030e6b44_story.html%3Fwprss%3Drss_museums&amp;t=2%2C000+museums+nationwide+to+offer+free+admission+to+active+duty+military+personnel" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664990677/u/0/f/636575/c/34656/s/2c2ebcb8/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664990677/u/0/f/636575/c/34656/s/2c2ebcb8/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664990677/u/0/f/636575/c/34656/s/2c2ebcb8/a2t.img" border="0"/&gt;</description><pubDate>Tue, 21 May 2013 04:01:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/2000-museums-nationwide-to-offer-free-admission-to-active-duty-military-personnel/2013/05/21/ce3c4f8a-c198-11e2-8bd8-2788030e6b44_story.html?wprss=rss_museums</guid><dc:creator>Katherine Boyle</dc:creator></item><item><title>The Exit Interview: Frank Goodyear and Anne Collins Goodyear</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2c133a4e/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cthe0Eexit0Einterview0Efrank0Egoodyear0Eand0Eanne0Ecollins0Egoodyear0C20A130C0A50C150Cd30A2178e0Eadca0E11e20Ea9860Eeec837b1888b0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;They did not arrive at the Smithsonian together, but Frank H. Goodyear III and Anne Collins Goodyear, longtime curators at the National Portrait Gallery, are leaving it as a pair. After 12 years at the Portrait Gallery, this husband-and-wife team will begin their tenure as co-directors of the Bowdoin College Museum of Art in Brunswick, Maine, next month.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/the-exit-interview-frank-goodyear-and-anne-collins-goodyear/2013/05/15/d302178e-adca-11e2-a986-eec837b1888b_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2c133a4e/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-exit-interview-frank-goodyear-and-anne-collins-goodyear%2F2013%2F05%2F15%2Fd302178e-adca-11e2-a986-eec837b1888b_story.html%3Fwprss%3Drss_museums&amp;t=The+Exit+Interview%3A+Frank+Goodyear+and+Anne+Collins+Goodyear" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-exit-interview-frank-goodyear-and-anne-collins-goodyear%2F2013%2F05%2F15%2Fd302178e-adca-11e2-a986-eec837b1888b_story.html%3Fwprss%3Drss_museums&amp;t=The+Exit+Interview%3A+Frank+Goodyear+and+Anne+Collins+Goodyear" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-exit-interview-frank-goodyear-and-anne-collins-goodyear%2F2013%2F05%2F15%2Fd302178e-adca-11e2-a986-eec837b1888b_story.html%3Fwprss%3Drss_museums&amp;t=The+Exit+Interview%3A+Frank+Goodyear+and+Anne+Collins+Goodyear" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-exit-interview-frank-goodyear-and-anne-collins-goodyear%2F2013%2F05%2F15%2Fd302178e-adca-11e2-a986-eec837b1888b_story.html%3Fwprss%3Drss_museums&amp;t=The+Exit+Interview%3A+Frank+Goodyear+and+Anne+Collins+Goodyear" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-exit-interview-frank-goodyear-and-anne-collins-goodyear%2F2013%2F05%2F15%2Fd302178e-adca-11e2-a986-eec837b1888b_story.html%3Fwprss%3Drss_museums&amp;t=The+Exit+Interview%3A+Frank+Goodyear+and+Anne+Collins+Goodyear" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664837578/u/0/f/636575/c/34656/s/2c133a4e/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664837578/u/0/f/636575/c/34656/s/2c133a4e/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664837578/u/0/f/636575/c/34656/s/2c133a4e/a2t.img" border="0"/&gt;</description><category domain="">Marcel Duchamp</category><category domain="">Smithsonian Institution</category><pubDate>Fri, 17 May 2013 22:00:15 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/the-exit-interview-frank-goodyear-and-anne-collins-goodyear/2013/05/15/d302178e-adca-11e2-a986-eec837b1888b_story.html?wprss=rss_museums</guid><dc:creator>Katherine Boyle</dc:creator></item><item><title>Peter Fischli and David Weiss exhibition displays a fine, light, smart touch</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2c12926c/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cpeter0Efischli0Eand0Edavid0Eweiss0Eexhibition0Edisplays0Ea0Efine0Elight0Esmart0Etouch0C20A130C0A50C160C245416380Eb9a50E11e20E92f30Ef29180A1936b80Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt; &lt;a data-xslt="_http" href="http://glenstone.org/"&gt;Glenstone&lt;/a&gt;, the foundation founded by &lt;a data-xslt="_http" href="http://www.washingtonpost.com/local/round-1-to-mitchell-rales-in-his-quest-for-sewer-for-his-glenstone-art-gallery/2012/07/12/gJQAdQ4agW_story.html"&gt;Mitchell and Emily Rales&lt;/a&gt;, now has a profile. The sprawling estate in Potomac, with its weeping willows, grassy fields and immaculately situated monumental sculpture, is hosting its first “monographic” exhibition, devoted solely to the work of the Swiss artistic duo Peter Fischli and David Weiss. While previous exhibitions have showcased the breadth and depth of the Raleses’ astonishingly rich collection of contemporary art, the current one — the fourth — is focused on two artists who use humor and finesse to reinvigorate old artistic ideas. The show, one of the best to be seen anywhere in the region, is delightful, engaging and often moving, and that spirit carries over to the experience of Glenstone itself.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/peter-fischli-and-david-weiss-exhibition-displays-a-fine-light-smart-touch/2013/05/16/24541638-b9a5-11e2-92f3-f291801936b8_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2c12926c/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fpeter-fischli-and-david-weiss-exhibition-displays-a-fine-light-smart-touch%2F2013%2F05%2F16%2F24541638-b9a5-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Peter+Fischli+and+David+Weiss+exhibition+displays+a+fine%2C+light%2C+smart+touch" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fpeter-fischli-and-david-weiss-exhibition-displays-a-fine-light-smart-touch%2F2013%2F05%2F16%2F24541638-b9a5-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Peter+Fischli+and+David+Weiss+exhibition+displays+a+fine%2C+light%2C+smart+touch" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fpeter-fischli-and-david-weiss-exhibition-displays-a-fine-light-smart-touch%2F2013%2F05%2F16%2F24541638-b9a5-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Peter+Fischli+and+David+Weiss+exhibition+displays+a+fine%2C+light%2C+smart+touch" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fpeter-fischli-and-david-weiss-exhibition-displays-a-fine-light-smart-touch%2F2013%2F05%2F16%2F24541638-b9a5-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Peter+Fischli+and+David+Weiss+exhibition+displays+a+fine%2C+light%2C+smart+touch" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fpeter-fischli-and-david-weiss-exhibition-displays-a-fine-light-smart-touch%2F2013%2F05%2F16%2F24541638-b9a5-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Peter+Fischli+and+David+Weiss+exhibition+displays+a+fine%2C+light%2C+smart+touch" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664835778/u/0/f/636575/c/34656/s/2c12926c/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664835778/u/0/f/636575/c/34656/s/2c12926c/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664835778/u/0/f/636575/c/34656/s/2c12926c/a2t.img" border="0"/&gt;</description><category domain="">world history</category><category domain="">Mitchell Rales</category><category domain="">Cerberus Capital Management</category><pubDate>Fri, 17 May 2013 21:02:12 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/peter-fischli-and-david-weiss-exhibition-displays-a-fine-light-smart-touch/2013/05/16/24541638-b9a5-11e2-92f3-f291801936b8_story.html?wprss=rss_museums</guid><dc:creator>Philip Kennicott</dc:creator></item><item><title>‘Ellsworth Kelly: Sculpture on the Wall,’ at Philadelphia’s Barnes Foundation, reviewed</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2c128f24/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cellsworth0Ekelly0Esculpture0Eon0Ethe0Ewall0Eatphiladelphias0Ebarnes0Efoundation0Ereviewed0C20A130C0A50C160C2b9e90A340Eb1ae0E11e20E9a980E4be1688d7d840Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;PHILADELPHIA — A small but handsome exhibition of work by Ellsworth Kelly is billed as the &lt;a data-xslt="_http" href="http://www.barnesfoundation.org/"&gt;Barnes Foundation’s &lt;/a&gt;“first show of contemporary art in ninety years.” That’s another way of saying it is the first time the Barnes, founded in 1922, has ever devoted a gallery to work by a living artist, and a coy way of reminding the public that the museum, now resident in an elegant new building in downtown Philadelphia, is finally breaking the worst of the intellectual fetters in which it has languished for too many decades.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/ellsworth-kelly-sculpture-on-the-wall-atphiladelphias-barnes-foundation-reviewed/2013/05/16/2b9e9034-b1ae-11e2-9a98-4be1688d7d84_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2c128f24/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fellsworth-kelly-sculpture-on-the-wall-atphiladelphias-barnes-foundation-reviewed%2F2013%2F05%2F16%2F2b9e9034-b1ae-11e2-9a98-4be1688d7d84_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Ellsworth+Kelly%3A+Sculpture+on+the+Wall%2C%E2%80%99+at%C2%A0Philadelphia%E2%80%99s+Barnes+Foundation%2C+reviewed" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fellsworth-kelly-sculpture-on-the-wall-atphiladelphias-barnes-foundation-reviewed%2F2013%2F05%2F16%2F2b9e9034-b1ae-11e2-9a98-4be1688d7d84_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Ellsworth+Kelly%3A+Sculpture+on+the+Wall%2C%E2%80%99+at%C2%A0Philadelphia%E2%80%99s+Barnes+Foundation%2C+reviewed" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fellsworth-kelly-sculpture-on-the-wall-atphiladelphias-barnes-foundation-reviewed%2F2013%2F05%2F16%2F2b9e9034-b1ae-11e2-9a98-4be1688d7d84_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Ellsworth+Kelly%3A+Sculpture+on+the+Wall%2C%E2%80%99+at%C2%A0Philadelphia%E2%80%99s+Barnes+Foundation%2C+reviewed" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fellsworth-kelly-sculpture-on-the-wall-atphiladelphias-barnes-foundation-reviewed%2F2013%2F05%2F16%2F2b9e9034-b1ae-11e2-9a98-4be1688d7d84_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Ellsworth+Kelly%3A+Sculpture+on+the+Wall%2C%E2%80%99+at%C2%A0Philadelphia%E2%80%99s+Barnes+Foundation%2C+reviewed" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fellsworth-kelly-sculpture-on-the-wall-atphiladelphias-barnes-foundation-reviewed%2F2013%2F05%2F16%2F2b9e9034-b1ae-11e2-9a98-4be1688d7d84_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Ellsworth+Kelly%3A+Sculpture+on+the+Wall%2C%E2%80%99+at%C2%A0Philadelphia%E2%80%99s+Barnes+Foundation%2C+reviewed" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664835253/u/0/f/636575/c/34656/s/2c128f24/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664835253/u/0/f/636575/c/34656/s/2c128f24/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664835253/u/0/f/636575/c/34656/s/2c128f24/a2t.img" border="0"/&gt;</description><category domain="">Philadelphia Museum of Art</category><pubDate>Fri, 17 May 2013 20:39:55 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/ellsworth-kelly-sculpture-on-the-wall-atphiladelphias-barnes-foundation-reviewed/2013/05/16/2b9e9034-b1ae-11e2-9a98-4be1688d7d84_story.html?wprss=rss_museums</guid><dc:creator>Philip Kennicott</dc:creator></item><item><title>With Hirshhorn Bubble, Smithsonian could break D.C. from stagnation</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2c128e9b/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cwith0Ehirshhorn0Ebubble0Esmithsonian0Ecould0Ebreak0Edc0Efrom0Estagnation0C20A130C0A50C160Cb8cfc59e0Ebd8a0E11e20E97d40Ea479289a31f90Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Washington has a hard time wrapping its mind around a good idea, especially if that idea emerges from the realms of art and culture. The political mind knows how to parse budgets, assess risk, pass blame and gather influence while shirking responsibility. Ideas that require some measure of faith and hope, that touch on &lt;a data-xslt="_http" href="http://www.washingtonpost.com/entertainment/museums/hearing-on-eisenhower-memorial-ramps-up-controversy-on-projects-vision/2013/03/19/12b75db6-90b7-11e2-bdea-e32ad90da239_story.html"&gt;beauty and other essential intangibles&lt;/a&gt;, are doomed if left in the hands of bureaucrats.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/with-hirshhorn-bubble-smithsonian-could-break-dc-from-stagnation/2013/05/16/b8cfc59e-bd8a-11e2-97d4-a479289a31f9_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2c128e9b/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwith-hirshhorn-bubble-smithsonian-could-break-dc-from-stagnation%2F2013%2F05%2F16%2Fb8cfc59e-bd8a-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=With+Hirshhorn+Bubble%2C+Smithsonian+could+break+D.C.+from+stagnation" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwith-hirshhorn-bubble-smithsonian-could-break-dc-from-stagnation%2F2013%2F05%2F16%2Fb8cfc59e-bd8a-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=With+Hirshhorn+Bubble%2C+Smithsonian+could+break+D.C.+from+stagnation" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwith-hirshhorn-bubble-smithsonian-could-break-dc-from-stagnation%2F2013%2F05%2F16%2Fb8cfc59e-bd8a-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=With+Hirshhorn+Bubble%2C+Smithsonian+could+break+D.C.+from+stagnation" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwith-hirshhorn-bubble-smithsonian-could-break-dc-from-stagnation%2F2013%2F05%2F16%2Fb8cfc59e-bd8a-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=With+Hirshhorn+Bubble%2C+Smithsonian+could+break+D.C.+from+stagnation" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwith-hirshhorn-bubble-smithsonian-could-break-dc-from-stagnation%2F2013%2F05%2F16%2Fb8cfc59e-bd8a-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=With+Hirshhorn+Bubble%2C+Smithsonian+could+break+D.C.+from+stagnation" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664835210/u/0/f/636575/c/34656/s/2c128e9b/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664835210/u/0/f/636575/c/34656/s/2c128e9b/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664835210/u/0/f/636575/c/34656/s/2c128e9b/a2t.img" border="0"/&gt;</description><pubDate>Fri, 17 May 2013 20:36:03 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/with-hirshhorn-bubble-smithsonian-could-break-dc-from-stagnation/2013/05/16/b8cfc59e-bd8a-11e2-97d4-a479289a31f9_story.html?wprss=rss_museums</guid><dc:creator>Philip Kennicott</dc:creator></item><item><title>Deep texture and cuts turn paintings into sculpture</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2c070ac7/l/0L0Swashingtonpost0N0Clifestyle0Cstyle0Cdeep0Etexture0Eand0Ecuts0Eturn0Epaintings0Einto0Esculpture0C20A130C0A50C160Ce39b913a0Ebcaf0E11e20Eb5370Eab47f0A325f7c0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;South Carolina artist James Busby is sort of a sculptor, but the raw materials he shapes are his own paintings. “Smoke and Mirrors,” at Randall Scott Projects, comprises 15 pictures, most of them executed on panels. The artist uses oils and acrylics, and also gesso and graphite, which provide a skin that appears shiny and sometimes metallic after it’s sanded and polished. He then cuts into the works with an industrial router, leaving grooves that may be left unfinished, or painted with a contrasting color.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/lifestyle/style/deep-texture-and-cuts-turn-paintings-into-sculpture/2013/05/16/e39b913a-bcaf-11e2-b537-ab47f0325f7c_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2c070ac7/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fdeep-texture-and-cuts-turn-paintings-into-sculpture%2F2013%2F05%2F16%2Fe39b913a-bcaf-11e2-b537-ab47f0325f7c_story.html%3Fwprss%3Drss_museums&amp;t=Deep+texture+and+cuts+turn+paintings+into+sculpture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fdeep-texture-and-cuts-turn-paintings-into-sculpture%2F2013%2F05%2F16%2Fe39b913a-bcaf-11e2-b537-ab47f0325f7c_story.html%3Fwprss%3Drss_museums&amp;t=Deep+texture+and+cuts+turn+paintings+into+sculpture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fdeep-texture-and-cuts-turn-paintings-into-sculpture%2F2013%2F05%2F16%2Fe39b913a-bcaf-11e2-b537-ab47f0325f7c_story.html%3Fwprss%3Drss_museums&amp;t=Deep+texture+and+cuts+turn+paintings+into+sculpture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fdeep-texture-and-cuts-turn-paintings-into-sculpture%2F2013%2F05%2F16%2Fe39b913a-bcaf-11e2-b537-ab47f0325f7c_story.html%3Fwprss%3Drss_museums&amp;t=Deep+texture+and+cuts+turn+paintings+into+sculpture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fdeep-texture-and-cuts-turn-paintings-into-sculpture%2F2013%2F05%2F16%2Fe39b913a-bcaf-11e2-b537-ab47f0325f7c_story.html%3Fwprss%3Drss_museums&amp;t=Deep+texture+and+cuts+turn+paintings+into+sculpture" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664694067/u/0/f/636575/c/34656/s/2c070ac7/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664694067/u/0/f/636575/c/34656/s/2c070ac7/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664694067/u/0/f/636575/c/34656/s/2c070ac7/a2t.img" border="0"/&gt;</description><category domain="">John Cole</category><category domain="">Freelance Writer</category><pubDate>Thu, 16 May 2013 23:35:36 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/lifestyle/style/deep-texture-and-cuts-turn-paintings-into-sculpture/2013/05/16/e39b913a-bcaf-11e2-b537-ab47f0325f7c_story.html?wprss=rss_museums</guid><dc:creator>Mark Jenkins</dc:creator></item><item><title>Last chance to see ‘Pre-Raphaelites’</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2c03c946/l/0L0Swashingtonpost0N0Cgoingoutguide0Clast0Echance0Eto0Esee0Epre0Eraphaelites0C20A130C0A50C160C751c0A4f40Eb8d80E11e20Eaa9e0Ea0A2b765ff0Aea0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Originally shown at London’s Tate Britain, “&lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/exhibits/pre-raphaelites-victorian-art-and-design-1848-1900,1247004.html"&gt;Pre-Raphaelites: Victorian Art and Design, 1848-1900&lt;/a&gt;” is the first major U.S. survey of an art movement that rocked the mid-19th-century English cultural establishment by rejecting traditional painting techniques, styles and subject matter. The large and lavish show, which mixes colorful paintings with sculpture, works on paper and decorative objects, closes this weekend at the West Building of the &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/museums/national-gallery-of-art,791895.html"&gt;National Gallery of Art&lt;/a&gt;.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/goingoutguide/last-chance-to-see-pre-raphaelites/2013/05/16/751c04f4-b8d8-11e2-aa9e-a02b765ff0ea_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2c03c946/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Flast-chance-to-see-pre-raphaelites%2F2013%2F05%2F16%2F751c04f4-b8d8-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Last+chance+to+see+%E2%80%98Pre-Raphaelites%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Flast-chance-to-see-pre-raphaelites%2F2013%2F05%2F16%2F751c04f4-b8d8-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Last+chance+to+see+%E2%80%98Pre-Raphaelites%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Flast-chance-to-see-pre-raphaelites%2F2013%2F05%2F16%2F751c04f4-b8d8-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Last+chance+to+see+%E2%80%98Pre-Raphaelites%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Flast-chance-to-see-pre-raphaelites%2F2013%2F05%2F16%2F751c04f4-b8d8-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Last+chance+to+see+%E2%80%98Pre-Raphaelites%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Flast-chance-to-see-pre-raphaelites%2F2013%2F05%2F16%2F751c04f4-b8d8-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Last+chance+to+see+%E2%80%98Pre-Raphaelites%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664681162/u/0/f/636575/c/34656/s/2c03c946/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664681162/u/0/f/636575/c/34656/s/2c03c946/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664681162/u/0/f/636575/c/34656/s/2c03c946/a2t.img" border="0"/&gt;</description><pubDate>Thu, 16 May 2013 16:06:52 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/goingoutguide/last-chance-to-see-pre-raphaelites/2013/05/16/751c04f4-b8d8-11e2-aa9e-a02b765ff0ea_story.html?wprss=rss_museums</guid><dc:creator>Michael O’Sullivan</dc:creator></item><item><title>Gallery opening of the week: Victoria Fu at Flashpoint Gallery</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2c03fab5/l/0L0Swashingtonpost0N0Cgoingoutguide0Cgallery0Eopening0Eof0Ethe0Eweek0Evictoria0Efu0Eat0Eflashpoint0Egallery0C20A130C0A50C160C4736d5640Eb8d30E11e20Eaa9e0Ea0A2b765ff0Aea0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Victoria Fu’s quietly evocative work stood out amid the clutter and bustle of last year’s (e)merge art fair, using film projection to call viewers’ attention not only to the screen image, but also to the screen itself, as well as the room in which the viewers were standing. &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/goingoutguide/gallery-opening-of-the-week-victoria-fu-at-flashpoint-gallery/2013/05/16/4736d564-b8d3-11e2-aa9e-a02b765ff0ea_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2c03fab5/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-victoria-fu-at-flashpoint-gallery%2F2013%2F05%2F16%2F4736d564-b8d3-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+Victoria+Fu+at+Flashpoint+Gallery" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-victoria-fu-at-flashpoint-gallery%2F2013%2F05%2F16%2F4736d564-b8d3-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+Victoria+Fu+at+Flashpoint+Gallery" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-victoria-fu-at-flashpoint-gallery%2F2013%2F05%2F16%2F4736d564-b8d3-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+Victoria+Fu+at+Flashpoint+Gallery" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-victoria-fu-at-flashpoint-gallery%2F2013%2F05%2F16%2F4736d564-b8d3-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+Victoria+Fu+at+Flashpoint+Gallery" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-victoria-fu-at-flashpoint-gallery%2F2013%2F05%2F16%2F4736d564-b8d3-11e2-aa9e-a02b765ff0ea_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+Victoria+Fu+at+Flashpoint+Gallery" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664744015/u/0/f/636575/c/34656/s/2c03fab5/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664744015/u/0/f/636575/c/34656/s/2c03fab5/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664744015/u/0/f/636575/c/34656/s/2c03fab5/a2t.img" border="0"/&gt;</description><pubDate>Thu, 16 May 2013 16:03:17 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/goingoutguide/gallery-opening-of-the-week-victoria-fu-at-flashpoint-gallery/2013/05/16/4736d564-b8d3-11e2-aa9e-a02b765ff0ea_story.html?wprss=rss_museums</guid><dc:creator>— Michael O’Sullivan</dc:creator></item><item><title>Hirshhorn ‘Bubble’ risks operating at a loss, internal Smithsonian report says</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2bea87ad/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Chirshhorn0Ebubble0Ewould0Ebe0Ea0Emoney0Eloser0Ereport0Esays0C20A130C0A50C140C69b1ba50A0Ebc0A70E11e20E97d40Ea479289a31f90Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;The Hirshhorn Museum’s proposed Seasonal Inflatable Structure, also known as “the Bubble,” a project announced in 2009 and intended as an architecturally and culturally transformative space on the Mall, would operate at a loss in each of three scenarios examined in an assessment done by the Smithsonian.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/hirshhorn-bubble-would-be-a-money-loser-report-says/2013/05/14/69b1ba50-bc07-11e2-97d4-a479289a31f9_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2bea87ad/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fhirshhorn-bubble-would-be-a-money-loser-report-says%2F2013%2F05%2F14%2F69b1ba50-bc07-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=Hirshhorn+%E2%80%98Bubble%E2%80%99+risks+operating+at+a+loss%2C+internal+Smithsonian+report+says" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fhirshhorn-bubble-would-be-a-money-loser-report-says%2F2013%2F05%2F14%2F69b1ba50-bc07-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=Hirshhorn+%E2%80%98Bubble%E2%80%99+risks+operating+at+a+loss%2C+internal+Smithsonian+report+says" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fhirshhorn-bubble-would-be-a-money-loser-report-says%2F2013%2F05%2F14%2F69b1ba50-bc07-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=Hirshhorn+%E2%80%98Bubble%E2%80%99+risks+operating+at+a+loss%2C+internal+Smithsonian+report+says" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fhirshhorn-bubble-would-be-a-money-loser-report-says%2F2013%2F05%2F14%2F69b1ba50-bc07-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=Hirshhorn+%E2%80%98Bubble%E2%80%99+risks+operating+at+a+loss%2C+internal+Smithsonian+report+says" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fhirshhorn-bubble-would-be-a-money-loser-report-says%2F2013%2F05%2F14%2F69b1ba50-bc07-11e2-97d4-a479289a31f9_story.html%3Fwprss%3Drss_museums&amp;t=Hirshhorn+%E2%80%98Bubble%E2%80%99+risks+operating+at+a+loss%2C+internal+Smithsonian+report+says" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664571590/u/0/f/636575/c/34656/s/2bea87ad/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664571590/u/0/f/636575/c/34656/s/2bea87ad/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664571590/u/0/f/636575/c/34656/s/2bea87ad/a2t.img" border="0"/&gt;</description><pubDate>Wed, 15 May 2013 01:28:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/hirshhorn-bubble-would-be-a-money-loser-report-says/2013/05/14/69b1ba50-bc07-11e2-97d4-a479289a31f9_story.html?wprss=rss_museums</guid><dc:creator>Lonnae O'Neal Parker</dc:creator></item><item><title>Visit the Corcoran, Phillips Collection and more for free on Art Museum Day</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2be9a076/l/0L0Swashingtonpost0N0Cblogs0Cgoing0Eout0Egurus0Cpost0Cvisit0Ethe0Ecorcoran0Ephillips0Ecollection0Eand0Emore0Efor0Efree0Eon0Eart0Emuseum0Eday0C20A130C0A50C140Cf71d3ee20Ebcbf0E11e20Eb5370Eab47f0A325f7c0Iblog0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Saturday is &lt;a data-xslt="_http" href="https://aamd.org/our-members/from-the-field/art-museum-day-2013"&gt;Art Museum Day&lt;/a&gt;, a national initiative to spotlight art museums. Don't bother bringing your wallet: For a single day, area museums that usually charge admission will waive the fee, or reduce it -- a kind gesture to get you in the door.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/going-out-gurus/post/visit-the-corcoran-phillips-collection-and-more-for-free-on-art-museum-day/2013/05/14/f71d3ee2-bcbf-11e2-b537-ab47f0325f7c_blog.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2be9a076/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fvisit-the-corcoran-phillips-collection-and-more-for-free-on-art-museum-day%2F2013%2F05%2F14%2Ff71d3ee2-bcbf-11e2-b537-ab47f0325f7c_blog.html%3Fwprss%3Drss_museums&amp;t=Visit+the+Corcoran%2C+Phillips+Collection+and+more+for+free+on+Art+Museum+Day" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fvisit-the-corcoran-phillips-collection-and-more-for-free-on-art-museum-day%2F2013%2F05%2F14%2Ff71d3ee2-bcbf-11e2-b537-ab47f0325f7c_blog.html%3Fwprss%3Drss_museums&amp;t=Visit+the+Corcoran%2C+Phillips+Collection+and+more+for+free+on+Art+Museum+Day" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fvisit-the-corcoran-phillips-collection-and-more-for-free-on-art-museum-day%2F2013%2F05%2F14%2Ff71d3ee2-bcbf-11e2-b537-ab47f0325f7c_blog.html%3Fwprss%3Drss_museums&amp;t=Visit+the+Corcoran%2C+Phillips+Collection+and+more+for+free+on+Art+Museum+Day" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fvisit-the-corcoran-phillips-collection-and-more-for-free-on-art-museum-day%2F2013%2F05%2F14%2Ff71d3ee2-bcbf-11e2-b537-ab47f0325f7c_blog.html%3Fwprss%3Drss_museums&amp;t=Visit+the+Corcoran%2C+Phillips+Collection+and+more+for+free+on+Art+Museum+Day" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fvisit-the-corcoran-phillips-collection-and-more-for-free-on-art-museum-day%2F2013%2F05%2F14%2Ff71d3ee2-bcbf-11e2-b537-ab47f0325f7c_blog.html%3Fwprss%3Drss_museums&amp;t=Visit+the+Corcoran%2C+Phillips+Collection+and+more+for+free+on+Art+Museum+Day" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664569151/u/0/f/636575/c/34656/s/2be9a076/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664569151/u/0/f/636575/c/34656/s/2be9a076/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664569151/u/0/f/636575/c/34656/s/2be9a076/a2t.img" border="0"/&gt;</description><category domain="">Museums</category><category domain="">Baltimore Museum of Art</category><pubDate>Tue, 14 May 2013 17:59:08 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/going-out-gurus/post/visit-the-corcoran-phillips-collection-and-more-for-free-on-art-museum-day/2013/05/14/f71d3ee2-bcbf-11e2-b537-ab47f0325f7c_blog.html?wprss=rss_museums</guid><dc:creator>Lavanya Ramanathan</dc:creator></item><item><title>‘Diaghilev and the Ballets Russes’ events</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc328d6/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cdiaghilev0Eand0Ethe0Eballets0Erusses0Eevents0C20A130C0A50C0A90C857344ce0Eb7580E11e20E92f30Ef29180A1936b80Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;An array of events are being presented in conjunction with the National Gallery of Art’s ambitious “Diaghilev and the Ballets Russes, 1909–1929: When Art Danced With Music” exhibit, which showcases some of the largest objects displayed at the museum. The exhibit opens Sunday and runs through Sept. 2. The museum is at Fourth Street and Constitution Avenue NW. 202-737-4215. &lt;a data-xslt="_http" href="http://www.nga.gov"&gt;www.nga.gov&lt;/a&gt;.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/diaghilev-and-the-ballets-russes-events/2013/05/09/857344ce-b758-11e2-92f3-f291801936b8_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc328d6/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-events%2F2013%2F05%2F09%2F857344ce-b758-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+events" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-events%2F2013%2F05%2F09%2F857344ce-b758-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+events" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-events%2F2013%2F05%2F09%2F857344ce-b758-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+events" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-events%2F2013%2F05%2F09%2F857344ce-b758-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+events" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-events%2F2013%2F05%2F09%2F857344ce-b758-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+events" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664325778/u/0/f/636575/c/34656/s/2bc328d6/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664325778/u/0/f/636575/c/34656/s/2bc328d6/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664325778/u/0/f/636575/c/34656/s/2bc328d6/a2t.img" border="0"/&gt;</description><category domain="">Igor Stravinsky</category><category domain="">Barnard College</category><category domain="">documentary film</category><pubDate>Fri, 10 May 2013 18:44:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/diaghilev-and-the-ballets-russes-events/2013/05/09/857344ce-b758-11e2-92f3-f291801936b8_story.html?wprss=rss_museums</guid><dc:creator /></item><item><title>Galleries: Windows on Weimar</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30f17/l/0L0Swashingtonpost0N0Clifestyle0Cstyle0Cgalleries0Ewindows0Eon0Eweimar0C20A130C0A50C0A90Cade9972e0Eb7340E11e20Eb5680E6917f6ac6d9d0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Among the individualistic works on display in “Window on Weimar,” at &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/museums/robert-brown-gallery,1239049.html"&gt;Robert Brown Gallery&lt;/a&gt;, there’s one piece made for mass distribution. The 1919 poster depicts a beckoning worker and extols the then-new national assembly as the “cornerstone of the German socialist republic.” Designer Max Pechstein’s vision was not to be fulfilled. Hitler came to power in 1933, and one of his targets was “decadent” culture. Two of the eight artists represented in this show, George Grosz and William Sharp, escaped to New York, while Lea Grundig found refuge in Palestine. One of the others, Erich Salomon, died at Auschwitz.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/lifestyle/style/galleries-windows-on-weimar/2013/05/09/ade9972e-b734-11e2-b568-6917f6ac6d9d_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30f17/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fgalleries-windows-on-weimar%2F2013%2F05%2F09%2Fade9972e-b734-11e2-b568-6917f6ac6d9d_story.html%3Fwprss%3Drss_museums&amp;t=Galleries%3A+Windows+on+Weimar" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fgalleries-windows-on-weimar%2F2013%2F05%2F09%2Fade9972e-b734-11e2-b568-6917f6ac6d9d_story.html%3Fwprss%3Drss_museums&amp;t=Galleries%3A+Windows+on+Weimar" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fgalleries-windows-on-weimar%2F2013%2F05%2F09%2Fade9972e-b734-11e2-b568-6917f6ac6d9d_story.html%3Fwprss%3Drss_museums&amp;t=Galleries%3A+Windows+on+Weimar" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fgalleries-windows-on-weimar%2F2013%2F05%2F09%2Fade9972e-b734-11e2-b568-6917f6ac6d9d_story.html%3Fwprss%3Drss_museums&amp;t=Galleries%3A+Windows+on+Weimar" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Fgalleries-windows-on-weimar%2F2013%2F05%2F09%2Fade9972e-b734-11e2-b568-6917f6ac6d9d_story.html%3Fwprss%3Drss_museums&amp;t=Galleries%3A+Windows+on+Weimar" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664276131/u/0/f/636575/c/34656/s/2bc30f17/kg/342-363/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664276131/u/0/f/636575/c/34656/s/2bc30f17/kg/342-363/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664276131/u/0/f/636575/c/34656/s/2bc30f17/kg/342-363/a2t.img" border="0"/&gt;</description><category domain="">ice skating</category><category domain="">Adolf Hitler</category><category domain="">Freelance Writer</category><pubDate>Fri, 10 May 2013 18:10:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/lifestyle/style/galleries-windows-on-weimar/2013/05/09/ade9972e-b734-11e2-b568-6917f6ac6d9d_story.html?wprss=rss_museums</guid><dc:creator>Mark Jenkins</dc:creator></item><item><title>Diaghilev and the Ballets Russes: Art review</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30b5d/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cdiaghilev0Eand0Ethe0Eballets0Erusses0Eart0Ereview0C20A130C0A50C0A90C1d0Ae55fe0Eb7e90E11e20E92f30Ef29180A1936b80Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;About halfway through the &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/museums/national-gallery-of-art,791895.html"&gt;National Gallery of Art’s new &lt;/a&gt;exhibition “Diaghilev and the Ballets Russes” the visitor learns that the company only danced Vaslav Nijinsky’s choreography of the “Rite of Spring” nine times, which is something of a shock. The legend of its riotous premiere before a deeply divided Parisian audience, and the collective memory of Stravinsky’s score as one of the foundational works of musical modernism, leaves one expecting it to have been a staple of the Ballets Russes repertoire. But no. Internecine rivalries in the company, the beginning of World War I and the tremendous logistical challenge of mounting the work made it essentially a one-off.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/diaghilev-and-the-ballets-russes-art-review/2013/05/09/1d0e55fe-b7e9-11e2-92f3-f291801936b8_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30b5d/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-art-review%2F2013%2F05%2F09%2F1d0e55fe-b7e9-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Diaghilev+and+the+Ballets+Russes%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-art-review%2F2013%2F05%2F09%2F1d0e55fe-b7e9-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Diaghilev+and+the+Ballets+Russes%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-art-review%2F2013%2F05%2F09%2F1d0e55fe-b7e9-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Diaghilev+and+the+Ballets+Russes%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-art-review%2F2013%2F05%2F09%2F1d0e55fe-b7e9-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Diaghilev+and+the+Ballets+Russes%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fdiaghilev-and-the-ballets-russes-art-review%2F2013%2F05%2F09%2F1d0e55fe-b7e9-11e2-92f3-f291801936b8_story.html%3Fwprss%3Drss_museums&amp;t=Diaghilev+and+the+Ballets+Russes%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664275583/u/0/f/636575/c/34656/s/2bc30b5d/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664275583/u/0/f/636575/c/34656/s/2bc30b5d/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664275583/u/0/f/636575/c/34656/s/2bc30b5d/a2t.img" border="0"/&gt;</description><category domain="">Modest Mussorgsky</category><category domain="">touring production</category><category domain="">Joffrey Ballet</category><pubDate>Fri, 10 May 2013 17:54:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/diaghilev-and-the-ballets-russes-art-review/2013/05/09/1d0e55fe-b7e9-11e2-92f3-f291801936b8_story.html?wprss=rss_museums</guid><dc:creator>Philip Kennicott</dc:creator></item><item><title>Ballets Russes drove audiences away from modern music? Just the opposite.</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30a23/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cballets0Erusses0Edrove0Eaudiences0Eaway0Efrom0Emodern0Emusic0Ejust0Ethe0Eopposite0C20A130C0A50C0A90C4d69cd0A20Eb7c40E11e20Eb94c0Eb684dda0A7add0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;The premiere of Stravinsky’s “The Rite of Spring” in 1913 is often cited as a flash point in the divide between new music and its audience. People began shouting, booing so loudly that the dancers could no longer hear the orchestra. The audience, conventional wisdom had it, still cared about contemporary music, and was outraged when it got too strange, dissonant, “ugly.” From this point on — so the claim goes — the chasm widened between composers pursuing their own agendas and audiences wishing they could just be left alone to hear Mozart. &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/ballets-russes-drove-audiences-away-from-modern-music-just-the-opposite/2013/05/09/4d69cd02-b7c4-11e2-b94c-b684dda07add_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30a23/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-drove-audiences-away-from-modern-music-just-the-opposite%2F2013%2F05%2F09%2F4d69cd02-b7c4-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes+drove+audiences+away+from+modern+music%3F+Just+the+opposite." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-drove-audiences-away-from-modern-music-just-the-opposite%2F2013%2F05%2F09%2F4d69cd02-b7c4-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes+drove+audiences+away+from+modern+music%3F+Just+the+opposite." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-drove-audiences-away-from-modern-music-just-the-opposite%2F2013%2F05%2F09%2F4d69cd02-b7c4-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes+drove+audiences+away+from+modern+music%3F+Just+the+opposite." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-drove-audiences-away-from-modern-music-just-the-opposite%2F2013%2F05%2F09%2F4d69cd02-b7c4-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes+drove+audiences+away+from+modern+music%3F+Just+the+opposite." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-drove-audiences-away-from-modern-music-just-the-opposite%2F2013%2F05%2F09%2F4d69cd02-b7c4-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes+drove+audiences+away+from+modern+music%3F+Just+the+opposite." target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664275389/u/0/f/636575/c/34656/s/2bc30a23/kg/342-363/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664275389/u/0/f/636575/c/34656/s/2bc30a23/kg/342-363/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664275389/u/0/f/636575/c/34656/s/2bc30a23/kg/342-363/a2t.img" border="0"/&gt;</description><category domain="">Pablo Picasso</category><category domain="">new music</category><category domain="">Ballets Russes</category><category domain="">The Walt Disney Company</category><pubDate>Fri, 10 May 2013 17:50:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/ballets-russes-drove-audiences-away-from-modern-music-just-the-opposite/2013/05/09/4d69cd02-b7c4-11e2-b94c-b684dda07add_story.html?wprss=rss_museums</guid><dc:creator>Anne Midgette</dc:creator></item><item><title>Costumes play key role in ‘Diaghilev and the Ballets Russes’ exhibition</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30a21/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Ccostumes0Eplay0Ekey0Erole0Ein0Ediaghilev0Eand0Ethe0Eballets0Erusses0Eexhibition0C20A130C0A50C0A90C0Aaf0Ada240Ead10A0E11e20Ea8b90E2a63d75b54590Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Some think the bassoon set them off. Others note the turned-in feet of the dancers. Whatever the spark, “The Rite of Spring” lore tells us that patrons became rioters at the Stravinsky ballet’s 1913 premiere in Paris. But the myth of that night rarely includes details about what the dancers wore, how they sweated through Nicholas Roerich’s wool shifts, bunched at their bellies with leather straps as belts, or how geometrical patterns on blood-orange fabric played tricks on anxious eyes in the audience.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/costumes-play-key-role-in-diaghilev-and-the-ballets-russes-exhibition/2013/05/09/0af0da24-ad10-11e2-a8b9-2a63d75b5459_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30a21/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fcostumes-play-key-role-in-diaghilev-and-the-ballets-russes-exhibition%2F2013%2F05%2F09%2F0af0da24-ad10-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=Costumes+play+key+role+in+%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+exhibition" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fcostumes-play-key-role-in-diaghilev-and-the-ballets-russes-exhibition%2F2013%2F05%2F09%2F0af0da24-ad10-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=Costumes+play+key+role+in+%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+exhibition" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fcostumes-play-key-role-in-diaghilev-and-the-ballets-russes-exhibition%2F2013%2F05%2F09%2F0af0da24-ad10-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=Costumes+play+key+role+in+%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+exhibition" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fcostumes-play-key-role-in-diaghilev-and-the-ballets-russes-exhibition%2F2013%2F05%2F09%2F0af0da24-ad10-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=Costumes+play+key+role+in+%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+exhibition" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fcostumes-play-key-role-in-diaghilev-and-the-ballets-russes-exhibition%2F2013%2F05%2F09%2F0af0da24-ad10-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=Costumes+play+key+role+in+%E2%80%98Diaghilev+and+the+Ballets+Russes%E2%80%99+exhibition" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664275388/u/0/f/636575/c/34656/s/2bc30a21/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664275388/u/0/f/636575/c/34656/s/2bc30a21/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664275388/u/0/f/636575/c/34656/s/2bc30a21/a2t.img" border="0"/&gt;</description><category domain="">Vaslav Nijinsky</category><category domain="">fashion designer</category><category domain="">New York City Ballet</category><pubDate>Fri, 10 May 2013 17:48:51 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/costumes-play-key-role-in-diaghilev-and-the-ballets-russes-exhibition/2013/05/09/0af0da24-ad10-11e2-a8b9-2a63d75b5459_story.html?wprss=rss_museums</guid><dc:creator>Katherine Boyle</dc:creator></item><item><title>Ballets Russes, and the enduring dancing man</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30a20/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cballets0Erusses0Eand0Ethe0Eenduring0Edancing0Eman0C20A130C0A50C0A90C0Ad367e1c0Eb7ef0E11e20Eb94c0Eb684dda0A7add0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Midnight in Paris. (A real one.)&lt;/p&gt; &lt;p&gt;It’s May 1922. There’s a dazzling soiree going on at the Hotel Majestic: Picasso is there, and so is Stravinsky. Serge Diaghilev, head of the Ballets Russes, is the ringleader at this after-party for the premiere of “Le Renard” (“The Fox”), for which Stravinsky wrote the score.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/ballets-russes-and-the-enduring-dancing-man/2013/05/09/0d367e1c-b7ef-11e2-b94c-b684dda07add_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2bc30a20/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-and-the-enduring-dancing-man%2F2013%2F05%2F09%2F0d367e1c-b7ef-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes%2C+and+the+enduring+dancing+man" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-and-the-enduring-dancing-man%2F2013%2F05%2F09%2F0d367e1c-b7ef-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes%2C+and+the+enduring+dancing+man" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-and-the-enduring-dancing-man%2F2013%2F05%2F09%2F0d367e1c-b7ef-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes%2C+and+the+enduring+dancing+man" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-and-the-enduring-dancing-man%2F2013%2F05%2F09%2F0d367e1c-b7ef-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes%2C+and+the+enduring+dancing+man" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fballets-russes-and-the-enduring-dancing-man%2F2013%2F05%2F09%2F0d367e1c-b7ef-11e2-b94c-b684dda07add_story.html%3Fwprss%3Drss_museums&amp;t=Ballets+Russes%2C+and+the+enduring+dancing+man" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664275387/u/0/f/636575/c/34656/s/2bc30a20/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664275387/u/0/f/636575/c/34656/s/2bc30a20/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664275387/u/0/f/636575/c/34656/s/2bc30a20/a2t.img" border="0"/&gt;</description><category domain="">Vaslav Nijinsky</category><category domain="">Barnard College</category><category domain="">modern art</category><pubDate>Fri, 10 May 2013 17:46:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/ballets-russes-and-the-enduring-dancing-man/2013/05/09/0d367e1c-b7ef-11e2-b94c-b684dda07add_story.html?wprss=rss_museums</guid><dc:creator>Sarah Kaufman</dc:creator></item><item><title>Gallery opening of the week: ‘Raising Dust’</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2bb6b43f/l/0L0Swashingtonpost0N0Cgoingoutguide0Cgallery0Eopening0Eof0Ethe0Eweek0Eraising0Edust0C20A130C0A50C0A90C8590A112a0Eb3670E11e20Ebaf70E5bc2a9dc6f440Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Art that has been plopped in office-building lobbies is nothing new. But downtown’s Carroll Square actually has its own &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/museums/carroll-square-gallery,1142448.html"&gt;small gallery&lt;/a&gt;, offering a rotating selection of top-notch exhibitions, curated by &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/museums/hemphill-fine-arts,792006.html"&gt;Hemphill Fine Arts&lt;/a&gt;. &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/goingoutguide/gallery-opening-of-the-week-raising-dust/2013/05/09/8590112a-b367-11e2-baf7-5bc2a9dc6f44_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2bb6b43f/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-raising-dust%2F2013%2F05%2F09%2F8590112a-b367-11e2-baf7-5bc2a9dc6f44_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+%E2%80%98Raising+Dust%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-raising-dust%2F2013%2F05%2F09%2F8590112a-b367-11e2-baf7-5bc2a9dc6f44_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+%E2%80%98Raising+Dust%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-raising-dust%2F2013%2F05%2F09%2F8590112a-b367-11e2-baf7-5bc2a9dc6f44_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+%E2%80%98Raising+Dust%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-raising-dust%2F2013%2F05%2F09%2F8590112a-b367-11e2-baf7-5bc2a9dc6f44_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+%E2%80%98Raising+Dust%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fgoingoutguide%2Fgallery-opening-of-the-week-raising-dust%2F2013%2F05%2F09%2F8590112a-b367-11e2-baf7-5bc2a9dc6f44_story.html%3Fwprss%3Drss_museums&amp;t=Gallery+opening+of+the+week%3A+%E2%80%98Raising+Dust%E2%80%99" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/165664198461/u/0/f/636575/c/34656/s/2bb6b43f/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/165664198461/u/0/f/636575/c/34656/s/2bb6b43f/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/165664198461/u/0/f/636575/c/34656/s/2bb6b43f/a2t.img" border="0"/&gt;</description><category domain="">Matt Price</category><pubDate>Thu, 09 May 2013 16:05:22 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/goingoutguide/gallery-opening-of-the-week-raising-dust/2013/05/09/8590112a-b367-11e2-baf7-5bc2a9dc6f44_story.html?wprss=rss_museums</guid><dc:creator>Michael O’Sullivan</dc:creator></item><item><title>Iconic Gordon Parks photos show shades of gray in American race relations</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2b784a56/l/0L0Swashingtonpost0N0Clifestyle0Cstyle0Ciconic0Egordon0Eparks0Ephotos0Eshow0Eshades0Eof0Egray0Ein0Eamerican0Erace0Erelations0C20A130C0A50C0A20C592248860Eb2920E11e20E9fb10E62de9581c9460Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;At first glance, it seems a memory of an innocent time: A father stands at the window of an ice cream stand, buying treats for his young children. But the family is African American, and the sign above them says “colored.” Gordon Parks made this color photograph in 1956 in Alabama, when separate-and-unequal strictures shadowed nearly every aspect of American life.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/lifestyle/style/iconic-gordon-parks-photos-show-shades-of-gray-in-american-race-relations/2013/05/02/59224886-b292-11e2-9fb1-62de9581c946_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2b784a56/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Ficonic-gordon-parks-photos-show-shades-of-gray-in-american-race-relations%2F2013%2F05%2F02%2F59224886-b292-11e2-9fb1-62de9581c946_story.html%3Fwprss%3Drss_museums&amp;t=Iconic+Gordon+Parks+photos+show+shades+of+gray+in+American+race+relations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Ficonic-gordon-parks-photos-show-shades-of-gray-in-american-race-relations%2F2013%2F05%2F02%2F59224886-b292-11e2-9fb1-62de9581c946_story.html%3Fwprss%3Drss_museums&amp;t=Iconic+Gordon+Parks+photos+show+shades+of+gray+in+American+race+relations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Ficonic-gordon-parks-photos-show-shades-of-gray-in-american-race-relations%2F2013%2F05%2F02%2F59224886-b292-11e2-9fb1-62de9581c946_story.html%3Fwprss%3Drss_museums&amp;t=Iconic+Gordon+Parks+photos+show+shades+of+gray+in+American+race+relations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Ficonic-gordon-parks-photos-show-shades-of-gray-in-american-race-relations%2F2013%2F05%2F02%2F59224886-b292-11e2-9fb1-62de9581c946_story.html%3Fwprss%3Drss_museums&amp;t=Iconic+Gordon+Parks+photos+show+shades+of+gray+in+American+race+relations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Flifestyle%2Fstyle%2Ficonic-gordon-parks-photos-show-shades-of-gray-in-american-race-relations%2F2013%2F05%2F02%2F59224886-b292-11e2-9fb1-62de9581c946_story.html%3Fwprss%3Drss_museums&amp;t=Iconic+Gordon+Parks+photos+show+shades+of+gray+in+American+race+relations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164017056017/u/0/f/636575/c/34656/s/2b784a56/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164017056017/u/0/f/636575/c/34656/s/2b784a56/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164017056017/u/0/f/636575/c/34656/s/2b784a56/a2t.img" border="0"/&gt;</description><category domain="">Latino</category><category domain="">Miami Fusion</category><category domain="">Malcolm X</category><pubDate>Fri, 03 May 2013 18:16:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/lifestyle/style/iconic-gordon-parks-photos-show-shades-of-gray-in-american-race-relations/2013/05/02/59224886-b292-11e2-9fb1-62de9581c946_story.html?wprss=rss_museums</guid><dc:creator>Mark Jenkins</dc:creator></item><item><title>War of 1812: Commemorations</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2b7b9a89/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cwar0Eof0E18120Ecommemorations0C20A130C0A50C0A20C0Ab21859c0Eac210E11e20Eb6fd0Eba6f5f26d70Ae0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Some of the events marking the 200th anniversary of the War of 1812 in the next two months:&lt;/p&gt; &lt;p/&gt; &lt;p&gt; &lt;strong&gt;May 4-5:&lt;/strong&gt; “Attack on Havre de Grace Commemoration Weekend.” The burning of Havre de Grace by the British in 1813 will be marked through the weekend with reenactments, tall ships, a concert by the Columbia Orchestra, fireworks, a Red Coat Run 5K race, and a circa 1800 church service. &lt;span&gt; &lt;a data-xslt="_http" href="http://www.hdgtourism.com/packages.html"&gt;www.hdgtourism.com/packages.html&lt;/a&gt; &lt;/span&gt; This is one of the Maryland’s Chesapeake Campaign events that state and local communities are hosting this summer and next. &lt;a data-xslt="_http" href="http://www.starspangled200.com/chesapeakecampaign#.UX7HnKLqmPQ"&gt; &lt;span&gt;www.starspangled200.com/chesapeakecampaign.&lt;/span&gt; &lt;/a&gt; &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/war-of-1812-commemorations/2013/05/02/0b21859c-ac21-11e2-b6fd-ba6f5f26d70e_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2b7b9a89/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwar-of-1812-commemorations%2F2013%2F05%2F02%2F0b21859c-ac21-11e2-b6fd-ba6f5f26d70e_story.html%3Fwprss%3Drss_museums&amp;t=War+of+1812%3A+Commemorations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwar-of-1812-commemorations%2F2013%2F05%2F02%2F0b21859c-ac21-11e2-b6fd-ba6f5f26d70e_story.html%3Fwprss%3Drss_museums&amp;t=War+of+1812%3A+Commemorations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwar-of-1812-commemorations%2F2013%2F05%2F02%2F0b21859c-ac21-11e2-b6fd-ba6f5f26d70e_story.html%3Fwprss%3Drss_museums&amp;t=War+of+1812%3A+Commemorations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwar-of-1812-commemorations%2F2013%2F05%2F02%2F0b21859c-ac21-11e2-b6fd-ba6f5f26d70e_story.html%3Fwprss%3Drss_museums&amp;t=War+of+1812%3A+Commemorations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fwar-of-1812-commemorations%2F2013%2F05%2F02%2F0b21859c-ac21-11e2-b6fd-ba6f5f26d70e_story.html%3Fwprss%3Drss_museums&amp;t=War+of+1812%3A+Commemorations" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">United States Naval Academy</category><category domain="">Francis Scott Key</category><pubDate>Fri, 03 May 2013 16:50:44 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/war-of-1812-commemorations/2013/05/02/0b21859c-ac21-11e2-b6fd-ba6f5f26d70e_story.html?wprss=rss_museums</guid><dc:creator /></item><item><title>Mini-golf returns to the National Building Museum on May 27</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2b63d67e/l/0L0Swashingtonpost0N0Cblogs0Cgoing0Eout0Egurus0Cpost0Cmini0Egolf0Ereturns0Eto0Ethe0Enational0Ebuilding0Emuseum0Eon0Emay0E270C20A130C0A50C0A10Caf890A9340Eb26b0E11e20E9fb10E62de9581c9460Iblog0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;The &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/museums/national-building-museum/791701.html" target="_blank"&gt;National Building Museum&lt;/a&gt;'s foray into indoor golf returns for a second year on Memorial Day, and what better way than a mini-golf course to get kids (even grown-up kids) excited about a summertime trip to the museum?&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/blogs/going-out-gurus/post/mini-golf-returns-to-the-national-building-museum-on-may-27/2013/05/01/af890934-b26b-11e2-9fb1-62de9581c946_blog.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2b63d67e/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fmini-golf-returns-to-the-national-building-museum-on-may-27%2F2013%2F05%2F01%2Faf890934-b26b-11e2-9fb1-62de9581c946_blog.html%3Fwprss%3Drss_museums&amp;t=Mini-golf+returns+to+the+National+Building+Museum+on+May+27" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fmini-golf-returns-to-the-national-building-museum-on-may-27%2F2013%2F05%2F01%2Faf890934-b26b-11e2-9fb1-62de9581c946_blog.html%3Fwprss%3Drss_museums&amp;t=Mini-golf+returns+to+the+National+Building+Museum+on+May+27" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fmini-golf-returns-to-the-national-building-museum-on-may-27%2F2013%2F05%2F01%2Faf890934-b26b-11e2-9fb1-62de9581c946_blog.html%3Fwprss%3Drss_museums&amp;t=Mini-golf+returns+to+the+National+Building+Museum+on+May+27" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fmini-golf-returns-to-the-national-building-museum-on-may-27%2F2013%2F05%2F01%2Faf890934-b26b-11e2-9fb1-62de9581c946_blog.html%3Fwprss%3Drss_museums&amp;t=Mini-golf+returns+to+the+National+Building+Museum+on+May+27" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fblogs%2Fgoing-out-gurus%2Fpost%2Fmini-golf-returns-to-the-national-building-museum-on-may-27%2F2013%2F05%2F01%2Faf890934-b26b-11e2-9fb1-62de9581c946_blog.html%3Fwprss%3Drss_museums&amp;t=Mini-golf+returns+to+the+National+Building+Museum+on+May+27" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016882890/u/0/f/636575/c/34656/s/2b63d67e/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016882890/u/0/f/636575/c/34656/s/2b63d67e/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016882890/u/0/f/636575/c/34656/s/2b63d67e/a2t.img" border="0"/&gt;</description><category domain="">Do This</category><category domain="">Pete Dye</category><pubDate>Wed, 01 May 2013 14:30:41 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/blogs/going-out-gurus/post/mini-golf-returns-to-the-national-building-museum-on-may-27/2013/05/01/af890934-b26b-11e2-9fb1-62de9581c946_blog.html?wprss=rss_museums</guid><dc:creator>Alex Baldinger | @baldinger</dc:creator></item><item><title>Smithsonian to close some exhibitareas because of sequestration</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2b52cfff/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Csmithsonian0Eto0Eclose0Esome0Eexhibitareas0Ebecause0Eof0Esequestration0C20A130C0A40C290C3d4985960Eb10Ae0E11e20Ebbf20Ea6f9e9d79e190Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;The Smithsonian Institution will be closing small exhibit area sections in the African Art Museum, the Smithsonian Castle and the Hirshhorn Museum and Sculpture Garden beginning Wednesday due to the across the board budget cuts known as sequestration. &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/smithsonian-to-close-some-exhibitareas-because-of-sequestration/2013/04/29/3d498596-b10e-11e2-bbf2-a6f9e9d79e19_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2b52cfff/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fsmithsonian-to-close-some-exhibitareas-because-of-sequestration%2F2013%2F04%2F29%2F3d498596-b10e-11e2-bbf2-a6f9e9d79e19_story.html%3Fwprss%3Drss_museums&amp;t=Smithsonian+to+close+some+exhibitareas+because+of+sequestration" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fsmithsonian-to-close-some-exhibitareas-because-of-sequestration%2F2013%2F04%2F29%2F3d498596-b10e-11e2-bbf2-a6f9e9d79e19_story.html%3Fwprss%3Drss_museums&amp;t=Smithsonian+to+close+some+exhibitareas+because+of+sequestration" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fsmithsonian-to-close-some-exhibitareas-because-of-sequestration%2F2013%2F04%2F29%2F3d498596-b10e-11e2-bbf2-a6f9e9d79e19_story.html%3Fwprss%3Drss_museums&amp;t=Smithsonian+to+close+some+exhibitareas+because+of+sequestration" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fsmithsonian-to-close-some-exhibitareas-because-of-sequestration%2F2013%2F04%2F29%2F3d498596-b10e-11e2-bbf2-a6f9e9d79e19_story.html%3Fwprss%3Drss_museums&amp;t=Smithsonian+to+close+some+exhibitareas+because+of+sequestration" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fsmithsonian-to-close-some-exhibitareas-because-of-sequestration%2F2013%2F04%2F29%2F3d498596-b10e-11e2-bbf2-a6f9e9d79e19_story.html%3Fwprss%3Drss_museums&amp;t=Smithsonian+to+close+some+exhibitareas+because+of+sequestration" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016806328/u/0/f/636575/c/34656/s/2b52cfff/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016806328/u/0/f/636575/c/34656/s/2b52cfff/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016806328/u/0/f/636575/c/34656/s/2b52cfff/a2t.img" border="0"/&gt;</description><category domain="">Mosaic Co</category><category domain="">fiscal year</category><pubDate>Mon, 29 Apr 2013 22:25:54 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/smithsonian-to-close-some-exhibitareas-because-of-sequestration/2013/04/29/3d498596-b10e-11e2-bbf2-a6f9e9d79e19_story.html?wprss=rss_museums</guid><dc:creator>Lonnae O'Neal Parker</dc:creator></item><item><title>The Holocaust Museum: A timeline</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2b3777fb/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cthe0Eholocaust0Emuseum0Ea0Etimeline0C20A130C0A40C250C9a68df640Eab6f0E11e20Ea8b90E2a63d75b54590Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Decades ago, organizers of the &lt;a data-xslt="_http" href="http://www.ushmm.org"&gt;U.S. Holocaust Memorial Museum &lt;/a&gt;determined that they would render both the broad sweep and horrifying detail of one of the 20th century’s most incomprehensible crimes against humanity: the Nazis’ slaughter of more than 11 million Jews, Slavs, Poles, Gypsies and homosexuals. Through artifacts, testimonials, art and architecture, the museum would be narrative and groundbreaking, a place to memorialize and educate.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/the-holocaust-museum-a-timeline/2013/04/25/9a68df64-ab6f-11e2-a8b9-2a63d75b5459_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2b3777fb/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-a-timeline%2F2013%2F04%2F25%2F9a68df64-ab6f-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=The+Holocaust+Museum%3A+A+timeline" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-a-timeline%2F2013%2F04%2F25%2F9a68df64-ab6f-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=The+Holocaust+Museum%3A+A+timeline" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-a-timeline%2F2013%2F04%2F25%2F9a68df64-ab6f-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=The+Holocaust+Museum%3A+A+timeline" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-a-timeline%2F2013%2F04%2F25%2F9a68df64-ab6f-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=The+Holocaust+Museum%3A+A+timeline" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-a-timeline%2F2013%2F04%2F25%2F9a68df64-ab6f-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=The+Holocaust+Museum%3A+A+timeline" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016652308/u/0/f/636575/c/34656/s/2b3777fb/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016652308/u/0/f/636575/c/34656/s/2b3777fb/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016652308/u/0/f/636575/c/34656/s/2b3777fb/a2t.img" border="0"/&gt;</description><category domain="">law enforcement</category><category domain="">Stephen Tyrone Johns</category><category domain="">Holocaust Museum</category><pubDate>Fri, 26 Apr 2013 16:40:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/the-holocaust-museum-a-timeline/2013/04/25/9a68df64-ab6f-11e2-a8b9-2a63d75b5459_story.html?wprss=rss_museums</guid><dc:creator>Lonnae O'Neal Parker</dc:creator></item><item><title>As the Holocaust Museum marks its 20th anniversary ‘an unlikely voice’ speaks up, and out</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2b3747da/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cthe0Eholocaust0Emuseum0Eat0E20A0C20A130C0A40C250C0Ab0A2f3d80Eac2c0E11e20Ea8b90E2a63d75b54590Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt; &lt;span&gt;R&lt;/span&gt;ebecca Dupas always begins her tours of the &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/museums/united-states-holocaust-memorial-museum,799652.html"&gt;U.S. Holocaust Memorial Museum &lt;/a&gt;with questions for students. “Why do we start with this image?” she’ll ask at the fourth-floor entrance to the permanent exhibition. Standing before photos from the 1945 liberation of the Dachau concentration camp, she points out shadows, juxtapositions, paradoxes — a half-dressed figure with the haggard face of a middle-age man and the spindly legs of a child. &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/the-holocaust-museum-at-20/2013/04/25/0b02f3d8-ac2c-11e2-a8b9-2a63d75b5459_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2b3747da/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-at-20%2F2013%2F04%2F25%2F0b02f3d8-ac2c-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=As+the+Holocaust+Museum+marks+its+20th+anniversary+%E2%80%98an+unlikely+voice%E2%80%99+speaks+up%2C+and+out" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-at-20%2F2013%2F04%2F25%2F0b02f3d8-ac2c-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=As+the+Holocaust+Museum+marks+its+20th+anniversary+%E2%80%98an+unlikely+voice%E2%80%99+speaks+up%2C+and+out" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-at-20%2F2013%2F04%2F25%2F0b02f3d8-ac2c-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=As+the+Holocaust+Museum+marks+its+20th+anniversary+%E2%80%98an+unlikely+voice%E2%80%99+speaks+up%2C+and+out" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-at-20%2F2013%2F04%2F25%2F0b02f3d8-ac2c-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=As+the+Holocaust+Museum+marks+its+20th+anniversary+%E2%80%98an+unlikely+voice%E2%80%99+speaks+up%2C+and+out" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fthe-holocaust-museum-at-20%2F2013%2F04%2F25%2F0b02f3d8-ac2c-11e2-a8b9-2a63d75b5459_story.html%3Fwprss%3Drss_museums&amp;t=As+the+Holocaust+Museum+marks+its+20th+anniversary+%E2%80%98an+unlikely+voice%E2%80%99+speaks+up%2C+and+out" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016621017/u/0/f/636575/c/34656/s/2b3747da/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016621017/u/0/f/636575/c/34656/s/2b3747da/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016621017/u/0/f/636575/c/34656/s/2b3747da/a2t.img" border="0"/&gt;</description><category domain="">WKYS</category><category domain="">secondary education</category><pubDate>Fri, 26 Apr 2013 16:09:45 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/the-holocaust-museum-at-20/2013/04/25/0b02f3d8-ac2c-11e2-a8b9-2a63d75b5459_story.html?wprss=rss_museums</guid><dc:creator>Lonnae O'Neal Parker</dc:creator></item><item><title>Alex Mayer: Hard-edged sculptures that aren’t boxed in</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2b2e4405/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Calex0Emayer0Ehard0Eedged0Esculptures0Ethat0Earent0Eboxed0Ein0C20A130C0A40C250Ce62677760Ead230E11e20Ea1980E99893f10Ad6dd0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;With his woodworking skills and orderly aesthetic, Alex Mayer could be a cabinetmaker. Yet some of the most intriguing pieces in “Alex Mayer: New Work,” at &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/museums/fine-arts-gallery-george-mason-university,1027146.html"&gt;George Mason University’s Fine Art Gallery&lt;/a&gt;, are little more than the idea of a bureau. The D.C. artist has constructed dressers merely from lines drawn on white walls, but they’re embellished by actual knobs — and, in one case, black stockings that feign to hang from a outlined drawer’s nonexistent opening.&lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/alex-mayer-hard-edged-sculptures-that-arent-boxed-in/2013/04/25/e6267776-ad23-11e2-a198-99893f10d6dd_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2b2e4405/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Falex-mayer-hard-edged-sculptures-that-arent-boxed-in%2F2013%2F04%2F25%2Fe6267776-ad23-11e2-a198-99893f10d6dd_story.html%3Fwprss%3Drss_museums&amp;t=Alex+Mayer%3A+Hard-edged+sculptures+that+aren%E2%80%99t+boxed+in" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Falex-mayer-hard-edged-sculptures-that-arent-boxed-in%2F2013%2F04%2F25%2Fe6267776-ad23-11e2-a198-99893f10d6dd_story.html%3Fwprss%3Drss_museums&amp;t=Alex+Mayer%3A+Hard-edged+sculptures+that+aren%E2%80%99t+boxed+in" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Falex-mayer-hard-edged-sculptures-that-arent-boxed-in%2F2013%2F04%2F25%2Fe6267776-ad23-11e2-a198-99893f10d6dd_story.html%3Fwprss%3Drss_museums&amp;t=Alex+Mayer%3A+Hard-edged+sculptures+that+aren%E2%80%99t+boxed+in" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Falex-mayer-hard-edged-sculptures-that-arent-boxed-in%2F2013%2F04%2F25%2Fe6267776-ad23-11e2-a198-99893f10d6dd_story.html%3Fwprss%3Drss_museums&amp;t=Alex+Mayer%3A+Hard-edged+sculptures+that+aren%E2%80%99t+boxed+in" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Falex-mayer-hard-edged-sculptures-that-arent-boxed-in%2F2013%2F04%2F25%2Fe6267776-ad23-11e2-a198-99893f10d6dd_story.html%3Fwprss%3Drss_museums&amp;t=Alex+Mayer%3A+Hard-edged+sculptures+that+aren%E2%80%99t+boxed+in" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016564410/u/0/f/636575/c/34656/s/2b2e4405/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016564410/u/0/f/636575/c/34656/s/2b2e4405/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016564410/u/0/f/636575/c/34656/s/2b2e4405/a2t.img" border="0"/&gt;</description><category domain="">George Washington</category><category domain="">George Mason University</category><pubDate>Thu, 25 Apr 2013 21:21:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/alex-mayer-hard-edged-sculptures-that-arent-boxed-in/2013/04/25/e6267776-ad23-11e2-a198-99893f10d6dd_story.html?wprss=rss_museums</guid><dc:creator>Mark Jenkins</dc:creator></item><item><title>‘Over, Under, Next’ at the Hirshhorn: Art review</title><link>http://feeds.washingtonpost.com/c/34656/f/636575/s/2b2d9beb/l/0L0Swashingtonpost0N0Centertainment0Cmuseums0Cover0Eunder0Enext0Eat0Ethe0Ehirshhorn0Eart0Ereview0C20A130C0A40C250C8d934cd40Ea92b0E11e20Ea8e20E5b98cb59187f0Istory0Bhtml0Dwprss0Frss0Imuseums/story01.htm</link><description>&lt;p&gt;Just about a century ago came one of those seemingly small innovations in art that unleashes epochal forces of transformation. In 1912, Georges Braque began using paper and fabric on the surface of his paintings, inaugurating not just a technique, but a form, the “pasted paper” work. The surface of the image was suddenly a thing to be played with, and a host of ancient assumptions, and categories, began to fall apart. A new exhibition at the &lt;a data-xslt="_http" href="http://www.washingtonpost.com/gog/museums/hirshhorn-museum-and-sculpture-garden-smithsonian-institution,796774.html"&gt;Hirshhorn Museum &lt;/a&gt;explores the viral spread of this one very small idea into new media, from collage and assemblage to montage and installation pieces. &lt;/p&gt; &lt;a href="http://www.washingtonpost.com/entertainment/museums/over-under-next-at-the-hirshhorn-art-review/2013/04/25/8d934cd4-a92b-11e2-a8e2-5b98cb59187f_story.html?wprss=rss_museums"&gt;Read full article &amp;#62;&amp;#62;&lt;/a&gt;&lt;img width='1' height='1' src='http://feeds.washingtonpost.com/c/34656/f/636575/s/2b2d9beb/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/share/twitter/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fover-under-next-at-the-hirshhorn-art-review%2F2013%2F04%2F25%2F8d934cd4-a92b-11e2-a8e2-5b98cb59187f_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Over%2C+Under%2C+Next%E2%80%99+at+the+Hirshhorn%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/twitter.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/facebook/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fover-under-next-at-the-hirshhorn-art-review%2F2013%2F04%2F25%2F8d934cd4-a92b-11e2-a8e2-5b98cb59187f_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Over%2C+Under%2C+Next%E2%80%99+at+the+Hirshhorn%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/facebook.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/linkedin/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fover-under-next-at-the-hirshhorn-art-review%2F2013%2F04%2F25%2F8d934cd4-a92b-11e2-a8e2-5b98cb59187f_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Over%2C+Under%2C+Next%E2%80%99+at+the+Hirshhorn%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/linkedin.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/gplus/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fover-under-next-at-the-hirshhorn-art-review%2F2013%2F04%2F25%2F8d934cd4-a92b-11e2-a8e2-5b98cb59187f_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Over%2C+Under%2C+Next%E2%80%99+at+the+Hirshhorn%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/googleplus.png" border="0" /&gt;&lt;/a&gt;&amp;nbsp;&lt;a href="http://share.feedsportal.com/share/email/?u=http%3A%2F%2Fwww.washingtonpost.com%2Fentertainment%2Fmuseums%2Fover-under-next-at-the-hirshhorn-art-review%2F2013%2F04%2F25%2F8d934cd4-a92b-11e2-a8e2-5b98cb59187f_story.html%3Fwprss%3Drss_museums&amp;t=%E2%80%98Over%2C+Under%2C+Next%E2%80%99+at+the+Hirshhorn%3A+Art+review" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/social/email.png" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/164016562668/u/0/f/636575/c/34656/s/2b2d9beb/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/164016562668/u/0/f/636575/c/34656/s/2b2d9beb/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/164016562668/u/0/f/636575/c/34656/s/2b2d9beb/a2t.img" border="0"/&gt;</description><category domain="">Stan Brakhage</category><category domain="">Hirshhorn Museum and Sculpture Garden</category><category domain="">new media</category><pubDate>Thu, 25 Apr 2013 20:35:00 GMT</pubDate><guid isPermaLink="false">http://www.washingtonpost.com/entertainment/museums/over-under-next-at-the-hirshhorn-art-review/2013/04/25/8d934cd4-a92b-11e2-a8e2-5b98cb59187f_story.html?wprss=rss_museums</guid><dc:creator>Philip Kennicott</dc:creator></item></channel></rss>
